In the context of the Gallery’s recent acquisition of Colin McCahon’s Canterbury Plains (1951), leading McCahon scholar Dr Peter Simpson will discuss McCahon’s evolving response to the Canterbury landscape between 1948 and 1952, drawing on fresh research undertaken for a major book on the artist he is currently writing that will be published by Auckland University Press in 2019, McCahon’s centennial year.
A writer, editor and curator who lives in Auckland, Peter Simpson has curated several McCahon exhibitions and has published extensively on his work in including Answering Hark: McCahon/Caselberg; Painter/Poet (2001), Colin MCachon The Titirangi Years 1953-59 (2007) and a chapter in Bloomsbury South: The Arts in Christchurch 1933-1953 (2016). In 2017 he received the Prime Minister's Award for Literary Achievement in Non-fiction.
From the Sun Deck: McCahon’s Titirangi
Colin McCahon’s shift to Titirangi in 1953 was a watershed moment in the artist’s career, providing the inspiration for him to develop his interest in cubism and abstraction.
Bloomsbury South: The Arts in Christchurch 1933–1953
A selection of ephemera, books, sheet music and art brought together to mark the publication of Bloomsbury South: The Arts in Christchurch 1933-1953 by Peter Simpson.
Colin McCahon: Five Years in Christchurch, 1948–53
Prior to moving to Christchurch in March 1948, Colin McCahon and his family spent a little over a year living in Muritai Street, Tahunanui, on the outskirts of Nelson city. It was his most productive period as a painter to date – a phase dominated by figurative paintings with some landscapes. The products of this prolific period were brought together in his first major one-person show, at Wellington Public Library in February 1948, organised by his Dunedin friend, Ron O’Reilly. An exhibition of forty-two works made between 1939 to 1948, more than half produced in 1947, it consisted of roughly equal numbers of landscapes (including Otago Peninsula and Maitai Valley), biblical paintings (King of the Jews, Crucifixion according to St Mark ), and non-biblical figurative works (A candle in a dark room, The Family). Although it was reviewed favourably in The Listener by J.C. Beaglehole, the subsequent letters column ran hot with controversy, and it brought McCahon to national attention.
Tomorrow, Book, Caxton Press, Landfall
In the decades before and after the Second World War, Christchurch experienced a remarkable artistic efflorescence that encompassed the visual arts, literature, music, theatre and the publishing of books and journals. And the phenomenon was noticed beyond these islands. For instance, in his 1955 autobiography, English publisher and editor of Penguin New Writing and London Magazine, John Lehmann, wrote (with a measure of exaggeration, perhaps) that of all the world’s cities only Christchurch at that time acted ‘as a focus of creative literature of more than local significance’.
Leo Bensemann: an art venture
Leo Bensemann (1912–1986) was a pivotal figure bridging the worlds of literature and visual arts – a go-between like no other. Peter Simpson is an authority on this distinctive artist.
Join volunteer guide June Goldstein as she discusses Juliet Peter's 1954 lithograph Poodles on display in Juliet Peter: Where the Line Leads on the first floor.
Join our librarian Tim Jones as he discusses Juliet Peter's 1943 painting Wartime fair on display in Juliet Peter: Where the Line Leads on the first floor.
A weekend of art, music, food and wine with the Friends in Wellington. Take this opportunity to enjoy galleries around the city with a group of other enthusiasts.
Celebrate the 125th anniversary of universal suffrage in Aotearoa New Zealand by joining one of our friendly and informative guides on a feature tour of We Do This.
All welcome to the launch of Colours of a Life: The life and times of Douglas MacDiarmid by Anna Cahill, a richly edited biography of one of New Zealand's most accomplished expatriate painters.
Mexican filmmakers Sebastian and Costa, shooting a film in Bolivia about the conquest by Christopher Columbus, become embroiled in controversy when their filming schedule runs up against the Cochabamba protests, when local natives rise up against the privatisation of their water supply.
Join Holly Gemmell from our Design Store as she discusses Luigi Rossini's Veduta dell'Anfiteatro Flavio, detto il Colosseo on display on the first floor.
Celebrate Heritage Week with curator Felicity Milburn who discusses the extraordinary life of Canterbury College-trained artist Dora Meeson Coates (1869 – 1955). Meeson not only signed the 1893 suffrage petition in Christchurch, but also actively campaigned for equality in both Australia and Britain, not least through her persuasive and ground-breaking political cartoons. Described as ‘an ardent feminist, all her life’ she later became a noted maritime painter and war artist.
Join us for a timely conversation about how the arts can contribute to our attempts to adapt to climate impacts and shape our carbon neutral future in Aotearoa New Zealand.
Join Dr Tamlin Conner (University of Otago, Psychology) as she discusses the science of well-being.
Take a free guided tour of our collection highlights with one of our friendly, knowledgeable guides.
This year’s weekly ArtBite programme is about to start! From Friday 10 February, we will again offer a weekly presentation of a work on display here at Te Puna o Waiwhetū. The aim of these 30-minute talks is to give you an art break in the middle of your day. We know you’re busy, so this isn’t a long lecture meant to take up too much of your time. And they’re free. With a new work presented each Friday at 12.30pm, the information will be fresh so you can impress your friends during your weekend socialising.
The annual exhibition of Muka Studio lithographs by international artists especially for kids is back!
Take a free guided tour of our exhibition highlights with one of our friendly, knowledgeable guides.