Charles Meryon
France, b.1821, d.1868
La Rue Des Mauvais Garçons - [The Street of the Bad Boys]
- 1854
- Etching
- Purchased, 1971
- 140 x 110mm
- 71/28
- View on google maps
Tags: buildings (structures), houses, landscapes (representations), monochrome, numbers, people (agents), urban landscapes, windows, words
Exhibition History
- This is one of the later works by Charles Meryon, a 19th century Parisian artist, who in his early years sailed in the South Pacific with the French navy. He was stationed in Akaroa from 1843-46. - Later in Paris he made this print which is one from his 1850 series 'Eaux-fortes sur Paris'. These focused on the local Parisian buildings, bridges and views near where he lived. The dingy crowded areas between Notre Dame and La Montage-Sainte-Genevieve were under threat of demolition. The way he depicted them however was as a set of immensely personal images in which he produced uneasy scenes often charged with an atmosphere of mystery and emotion. A victim of a combination of mental disorders which ruined his career and caused nightmareish hallucinations, he was eventually committed to the asylum at Charenton in 1866. - Rue de Mauvais Garçons conveys this sense of eery foreboding. The small figures give the simple buildings a huge scale and the strong shaft of sunlight throws the darkened windows and doorways into mysterious cavernous spaces. It is state 3 from the third and final etching. Across the top of the plate a verse reads: What mortal lived In such a sombre resting-place? Who hid themselves here In the night and in the shadow? - Was it virtue Poor, silent? Will you say the crime of Some vicious spirit. - Ah! indeed, I do not know If you are curious and want to know, Go there and look There is still time. 
 
		 
		 
		
		
	