Charles Meryon
Le Pont Neuf Paris
1852-1861
Etching
This exhibition is now closed
This was an exhibition of French prints from the Collection.
The prints exhibited were:
La pendaison (1633) by Jacques Callot
Dévastation d’un monastère (1633) by Jacques Callot
Distribution des récompenses (1633) by Jacques Callot
Les mourants sur le bord des routes (1633) by Jacques Callot
Les trois hommes (1635) by Jacques Callot
La Promenade Publique by Philibert-Louis Debucourt
The Palais Royal - Gallery’s Walk by Philibert-Louis Debucourt
Départ pour l’Espagne (1835) by Honoré Daumier
Les Baigneurs (1830) by Honoré Daumier
La Rue des Mauvais Garçons - The Street of Bad Boys by Charles Meryon
Le Stryge (1853) by Charles Meryon
La Tour de l’Horloge, Paris (1852) by Charles Meryon
L’abside de Notre Dame de Paris (1855) by Charles Meryon
Le Pont Neuf Paris (1852-1861) by Charles Meryon
Le départ pour le travail, 1863 (1863) by Jean Francois Millet
Le paysan rentrant du fumier by Jean Francois Millet
Je me suis enfoncé dans la solitude, j’habitais l’arbre derrière moi (1896) by Odilon Redon
Je vis une lueur large et pale (1896) by Odilon Redon
Dans mon rêve, je vis au ciel un visage de mystère. (In my dream I saw in the sky a face of mystery) (1885) by Odilon Redon
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Date:
1 September – 17 September 1989 -
Exhibition number:
446
Collection works in this exhibition
Related
My Favourite
Charles Meryon: Nouvelle Zélande, Presqu’île de Banks, 1845...
1957 was a big year for me – transitions from a middle- sized hometown to life in a major city, and from high school to university, with an emphasis on courses in French language and literature. And late in that year a new display in the Canterbury Museum allowed my rudimentary interest in New Zealand history, my unstructured interest in the visual arts, and my commitment to things French, to come together around the work of an artist I had never heard of, but who had lived briefly at Akaroa in the 1840s – Charles Meryon.