Edith Munnings

Aotearoa New Zealand, b.1867, d.1939

Fisherman’s Hut, Redcliffs

  • Presented by G E Munnings and C Munnings Christchurch, 1970
  • Oil on canvas
  • 480 x 680mm
  • 70/02
  • c. 1889
  • View on google maps

For the exhibition I See Red (5 December 2007 - 23 November 2008) this work was displayed with the following label: The Christchurch area known as Redcliffs, or Te Rae Kura, has been populated for at least 900 years. Kura is Māori for red, and Te Rae Kura means red, glowing headlands. The area was once an abundant source of shellfish, flatfish, eels, bird life and various types of flax, and supported large groups of Māori from the fourteenth century.

Edith Munnings’ painting shows Redcliffs in the early days of European settlement. What else do you see here that is red?

This obituary of Edith Munnings. whose married name was Edith Strutton, appeared in The Press on 23 June 1939:

Mrs Edith Strutton: An artist of great ability who gave up a promising career at the School of Art Canterbury College, to join an Indian Mission, died on April 24 1939 at Lonavea India. Mrs Strutton who was 72 years of age was the daughter of Mr and Mrs Joseph Munnings, pioneer settlers at Addington, Christchurch. She is survived by a brother and several sisters.

In 1900 she married the Reverend H Strutton and later joined an Australia Church of Christ Mission in Baramati. In 1917 Mr and Mrs Strutton took charge of the Criminal Tribes Settlement at Sholapur, and some years later they moved to Lonaula, where Mrs Strutton died.


The World Tossed Continuously in a Riot of Colour, Form, Sound

The World Tossed Continuously in a Riot of Colour, Form, Sound

One hundred and twenty five years ago, after years of political struggle, Aotearoa New Zealand granted all adults the right to vote by extending suffrage to women. To mark this anniversary, for this issue of Bulletin our curators have written about some of the Gallery’s significant – yet lesser-known – nineteenth and mid-twentieth-century works by women. Our intention is to make these paintings, and the cultural contribution of the artists, more visible in 2018.

Ode to Shag Rock / Rapanui

Ode to Shag Rock / Rapanui

We had followed its progress. Reduced to easily half its size after February 22, Shag Rock was made Shagpile as well as something ruder.