Notes

Notes
The ghost of studios past

The ghost of studios past

In preparation for the next issue of Bulletin, Gallery photographer John and I have been out photographing some of the local artists who will be taking part in Rolling Maul when we reopen.

Notes
Flying Flywheels

Flying Flywheels

Leo Bensemann's Diadem platen press being transported from the Gallery back to its home at the Ferrymead Printing Society today.

Notes
This sinner is saved!

This sinner is saved!

There was a full house at The Brewery last night for The End is at Hand gig, featuring Reverend Beatman from Switzerland and Christchurch's Delaney Davidson.

Notes
Sharks in the Water

Sharks in the Water

Here in Christchurch, some motorists seem to be counteracting the challenges of earthquake-affected roading (bumps, potholes, closures, detours, decoratively-configured traffic cones) with a nifty new driving style.

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White-out

White-out

The care of artworks is of the utmost importance here at Christchurch Art Gallery, so it's a strange feeling to 'destroy' an artwork.

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Value for money

Value for money

The value of art

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Collateral Damage

Collateral Damage

New Zealand art's proud protest tradition continues in Auckland.

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Extraction complete

Extraction complete

It seems quite some time ago now – almost two years actually – since we were in the planning stages of the Andrew Drummond exhibition Observation, Action, Reflection.

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The future isn’t what it used to be

The future isn’t what it used to be

Nothing looks older today than yesterday's robots. Rewind through the history of science fiction and you'll find hundreds of robots to whom time has not been kind – creations that looked newer-than-new when they first emerged but now appear tragically tinny.

Notes
1968 Festival highlight

1968 Festival highlight

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