Christchurch Art Gallery Te Puna o Waiwhetu

Among the sandhills by Adrian Stokes

This article first appeared as 'Sandhills painting's life as nomadic as artist's' in The Press, 15 August 2017.

Portrait of John Marshman by Samuel Butler

This article first appeared as 'Painting's fascinating life mirrors subject's ' in The Press, 15 May 2017.

The exhibition He Waka Eke Noa brings together colonial-era, mainly Māori, portraiture alongside objects linked to colonisation – it’s a predictably uncomfortable mix. While the degree of discomfort may depend on one’s background or degree of connection to an enduringly difficult past, objects related to emigration and colonisation can be a useful lenses. As relics from a specific period in global history, when the movement of (particularly) European people was happening at an unprecedented scale, they hold stories with a measure of complexity that obliges an open-minded reading. There is no denying that they speak of losses and gains, of injustices and rewards.

Notes

Making Ligurian Lace by H H La Thangue

This article first appeared as 'Artist chased the sun for the right light, warmth' in The Press, 19 October 2016.

Commentary

Hair Story

2 September 2016, by Ken Hall

In drawing attention to the theatre of personal grooming, Bad Hair Day brings together portraiture and caricature with a variety of less readily classifiable works of art. The densely packed selection spans a vast historical range. And in putting bowl cuts and bushy beards alongside wayward wigs and whiskers, it highlights the sometimes comical aspects of hair, especially when styles are extreme. If wry intent is discernible throughout the exhibition, however, we shouldn’t let this fool us: hair is a topic that easily turns serious.