Notes

Notes
I Tawhiti Ra Ano / From Distant Shores

I Tawhiti Ra Ano / From Distant Shores

The islands of Te Moana-nui-a-Kiwa / the Pacific were settled by remarkable ocean voyagers over many thousands of years. Aotearoa New Zealand was peopled through major waves of migration from the 1200s and later the mid-1800s. The seas of Oceania are like vast pathways; ever-present reminders of distant shores.

Notes
Ko Enei Tauira Ataahua / These Beautiful Patterns

Ko Enei Tauira Ataahua / These Beautiful Patterns

From a present-day perspective, the appropriation of customary Māori art forms and practice by Pākehā artists can be disconcerting, a more-than-awkward crossing of cultural lines. 

Notes
Kanohi Ki Te Kanohi / Face To Face

Kanohi Ki Te Kanohi / Face To Face

In te ao Māori, portraiture can encompass rangatiratanga (stewardship), whanaungatanga (kinship or connectedness), manaakitanga (kindness towards others) and whakapapa (ancestral genealogy). A sense of wairua (the spirit of a person) also resonates within these treasured portraits.

Notes
Ātea

Ātea

In te ao Māori, the state of a space when cleared of obstruction is called ātea. This concept was brought to Aotearoa New Zealand from the islands of Te Moana-nui-a-Kiwa / the Pacific Ocean by Polynesian ancestors.

Notes
Hawaiki Tautau Atu, Hawaiki Tautau Mai / A Distance Draws Near

Hawaiki Tautau Atu, Hawaiki Tautau Mai / A Distance Draws Near

Hawaiki is the ancient homeland of Polynesian people who navigated the seas in double-hulled waka from Rarotonga, Tahiti and Ra’iātea to the islands of the Pacific Ocean, including Aotearoa New Zealand.

Notes
Te Wheke: Pathways Across Oceania

Te Wheke: Pathways Across Oceania

Welcome – nau mai haere mai. Kei Te Ararau o Tangaroa / Pathways Across Oceania is an attempt to understand the Gallery’s collection from the perspective of our place in Te Moana-nui-a-Kiwa, the Pacific Ocean. Full of stories of migration, connection and belonging, this huge new exhibition reflects the connections and tensions that shape our past, present and future.

Notes
In the Vast Emptiness by Basil Dowling

In the Vast Emptiness by Basil Dowling

Curator Peter Vangioni reads the poem In the Vast Emptiness by Basil Dowling. Back in 2015, when re-opening from our previous forced closure, Peter took this poem as the inspiration for an exhibtion of Canterbury landscapes.

From the hand-washing point of view, this is a two minute marathon, but where's the harm in that?

See all the images at once and find out more about each one.

Notes
what happens by Jenny Bornholdt

what happens by Jenny Bornholdt

A very special hand-washing treat

Notes
Girls in a factory by Denis Glover

Girls in a factory by Denis Glover

Kirsty Mathieson, our Administration and Business Support team leader reads 'Girls in a Factory' by Denis Glover.

It's perfectly timed at 21 seconds - just right for washing away those nasty viruses.

Notes
Update from director Blair Jackson

Update from director Blair Jackson

Kia ora koutou. Hello.

I want to let our supporters and art lovers know what we are doing in these difficult times, and how you can still find moments of relief and escape through art. Like much of the world, Christchurch Art Gallery Te Puna o Waiwhetū is temporarily closed to our visitors and our staff. Like many of you are experiencing in your own lives, we’ve needed to figure out new ways of working, staying connected as a team, and working out what we can offer and ways that might help us to engage, inspire and connect you with great art and ideas.

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