Exhibition

Tony Oursler: Head Knocking

Credited with freeing video art from the 'tyranny of the monitor', Tony Oursler is regarded as one of the world's most influential artists in that medium.

Notes
Best in a Supporting Role

Best in a Supporting Role

Guilty Gallery Pleasure #23: Adding to my running tally of the number of scenes effortlessly stolen by virtue of a canine companion's carefully cocked ear or discretely averted gaze.

Collection
Kaikoura

John Gully Kaikoura

One of Aotearoa New Zealand’s first resident professional artists, John Gully revelled in the majestic. Romantic sublime landscapes were his forte, and from his home in Nelson he was able to explore the wild mountainous landscapes of upper Te Waipounamu / the South Island. The Kaikōura coastline captivated the artist and he painted several watercolours of the region. Gully dished out the sublime in spades in Kaikoura. The wreck of a coastal trader is beaten by stormy waves against the shore while the impressive Seaward Kaikōura range dominates the skyline along the coast. The small cottage is Fyfe House, the original home of Robert Fyfe who established a whaling station at Kaikōura in 1842. From this shoreline, once a southern right whale or tohorā had been spotted, whalers would row out to the open sea in the hope of harpooning it.

(Pickaxes and shovels, 17 February – 5 August 2018)

Notes
Exclusive Snowden Flood products

Exclusive Snowden Flood products

The sun is back but the gallery shop has just recieved beautiful products from a UK supplier aptly named Snowden Flood! 

Exhibition

24 Hr News Feed: Barry Cleavin and Locust Jones

From austerity and journalistic ethics to modern warfare and Donald Rumsfeld's nightmares, two artists offer personal takes on global issues in the face of wall-to-wall media saturation.

Notes
Ruins

Ruins

We think we live in a riuned city here in Christchurch, but the ultimate 'city in ruins' experience can be enjoyed in Pripyat in Ukraine.

Notes
Lizard's Lounge

Lizard's Lounge

I stumbled into their lair on accident, and found myself in a madhouse of reptilian decree. I immediately froze, in a vain hope they had not noticed me in my peculiarity, but my attempts were feeble, I had been seen. I felt a cold sweat and a shiver ran down my spine as they glared at me with beady black eyes from a nebulous of smoke and dust that choked the room. I was their intruder. One of the lizards mockingly hissed a welcome, 'Please take a seat, you look weary.'

 

Notes
Eternal Gaze

Eternal Gaze

At the hot forge, I thought of her face frozen in time... a perfect oil painting, every stroke, every colour ... so serene as she fell, the wind dancing around her dress and hair, momentarily turning her into an angel, then the crack of water breaking apart to let her descend into the depths of the sea, disappearing forever from sight.

 

Notes
The Hanging Sky in Wellington

The Hanging Sky in Wellington

Having been lucky enough to attend the intimate opening of our exhibition Shane Cotton: The Hanging Sky at the IMA in Brisbane in December it was great to be part of the Christchurch Art Gallery Te Puna o Waiwhetū whanau again last Friday evening in Wellington.

Notes
Aotearoa

Aotearoa

A texture-rich new exhibition at Oxford showcases the considerable talents of six Canterbury artists.

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