Notes
BEST in show

BEST in show

I'm a few days late on this, but we're due some bragging after picking up two great wins in the BEST Design Awards in Wellington last Friday.

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What's in a title page

What's in a title page

Quite a lot if you happened to be a graphic designer working in London during the Victorian period as the three examples below highlight.  

Collection
Cabbage Tree in Flower

Russell Clark Cabbage Tree in Flower

Tī kōuka, or cabbage trees, grow throughout New Zealand in a range of habitats from coastal areas through to inland foothills and some varieties can grow up to 20 metres high. They were a significant food source for early Māori and also provided fibre that was prized for its strength. The trunk of the tree is fire resistant, and it was often used by early settlers to line their chimneys.

Russell Clark began a series of cabbage tree paintings in 1953, enjoying their satisfying shape. “They are good paintable objects” he said. Here, he has used a modified cubist style, with concern for the geometric qualities of the tree, particularly its sword-like, angular leaves. He has kept to a very limited palette, with only three or four distinct colours.

Born in Christchurch, Clark moved to Dunedin in 1929 where he worked as a commercial artist for the publishing firm John McIndoe. He went to Wellington in 1938 and worked as an illustrator for the New Zealand Listener and the School Publications Unit. He was an Official War Artist during World War II and served in the Pacific. He returned to Wellington, but in 1947 moved to Christchurch where he joined the staff of the School of Art at the University of Canterbury. As senior lecturer in painting, Clark became an important influence on a generation of Canterbury artists.

(Turn, Turn, Turn: A Year in Art, 27 July 2019 – 8 March 2020)

Notes
Escher

Escher

Everywhere around us is a building site

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Buller's Birds

Buller's Birds

For all the bad press Walter Buller gets for his activities as a bird stuffer you've got to hand it to him, he pulled one out of the bag with his first edition of A History of the Birds of New Zealand.

Notes
Foresight

Foresight

Our predecessor, the Robert McDougall Art Gallery, opened on 16 June 1932. By co-incidence, the premises we currently occupy opened the day after.

Collection
Boston Visionary Cell

Jess Johnson Boston Visionary Cell

“I’ve drawn for as long as I remember”, says Jess Johnson, a New Zealand artist now living in New York, whose work blends science fiction, popular culture and technology, creating speculative worlds in architectural settings. “Elements of my drawings now aren’t very different from what I drew as a kid. I always used lots of repetitive pattern and I would just work the page until I’d filled it to the edges. There’s something about the labour involved in drawing that suits my psychology. It means I get to spend long hours in the studio thinking my own thoughts.”“What comes out of my drawings is a result of what I put in. The books that I read. The things that scare me”, she says. “To be able to imagine different possibilities, that’s the first step to being able to change your own reality. To be able to imagine a different one.”

(We do this, 12 May 2018 - 26 May 2019)

Exhibition

New Zealand Illustrated: Pictorial Books from the Victorian Age

A selection of lavishly illustrated books from the Victorian era relating to New Zealand landscape, Māori culture, colonial enterprise and our unique flora, fauna and birdlife.

Notes
Morose Jester

Morose Jester

An early work by Sydney Lough Thompson (1877-1973) is a recent addition to the collection, having been left to the Gallery by generous bequest.

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Stronger together

Stronger together

We thought those of you who kept track of Sian Torrington's Outer Spaces project in Avonside might be interested to see what she has been up to recently.

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