Notes
Timekeeper

Timekeeper

For those of you who got to see the De-Building exhibition way back in 2011, for the few weeks it was on display before the earthquakes, you may remember a wonderful piece by Pierre Huyghe, in which concentric rings revealed various layers of paint below the walls surface, a kind of archaelogical exploration of the gallery's exhibition history.

Notes
What is Artbox?

What is Artbox?

While our main building is closed we are still exhibiting real art in real spaces. One of our new spaces is ArtBox.

Notes
Green with envy

Green with envy

Here's a little collection of works in our collection with links to the Emerald Isle

Notes
We do this by Alexis Hunter

We do this by Alexis Hunter

This article first appeared as 'I am woman see me paint' in The Press on 14 March 2014.

Notes
It's a stick up

It's a stick up

Game, as they say, on.

Collection
Automated Colour Field (variation 4)

Rebecca Baumann Automated Colour Field (variation 4)

Automated Colour Field (Variation 4) is a kinetic sculpture made from a grid of battery powered alarm clocks. The artist has replaced the numbered panels that represent hours and minutes with coloured cards, which regularly flip over into new configurations. The work is in continuous motion, creating a constantly changing arrangement that tells its own time – and takes time to view. As you watch the cards whirr around, as they rise and fall, you become aware of the variety of colour combinations. You’re drawn to some, possibly repelled by others. Rebecca Baumann is interested in the emotional associations of colour. When she was making these works, she says, she was thinking about the wide range of emotions you feel in a day. “Everything is always about that perfect moment, but really life is just a series of many moments.”

(Now, Then, Next: Time and the Contemporary, 15 June 2019 – 8 March 2020)

Collection
Nor'western Sky

Petrus van der Velden Nor'western Sky

“‘Colour is light’ and there is no darkness at all – there is light or less light. In each part, even the darkest, there is some light and the difficulty is to get the different kinds of light showing in even quite small parts. There are no hard lines in nature – the light shines in and round everything and breaks all the hardness by modifying and diffusing the apparently sharp edges.” —Petrus van der Velden

(McCahon / Van der Velden, 18 December 2015 – 7 August 2016)

Notes
Nor'western Sky

Nor'western Sky

Yesterday descendents of an old Christchurch identity, John Bradley, presented a charcoal drawing by Petrus van der Velden to Christchurch Art Gallery.

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