Kā Kaupapa o te Wā
What’s On
Celebrate Matariki at the Gallery
Tatai Whetū Tatai Tangata.
Made in the Pacific: A Collection of Tāoga
A selection of Pacific tāoga from the Canterbury Museum in conversation with contemporary artworks that highlight the continued strength in culture and traditional art forms.
Mark Adams: A Survey | He Kohinga Whakaahua
A comprehensive survey spanning the artist's career.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Notes
Art Do 19: Everything you need to know
DATE CHANGE. It appears you lot don't want to be split up – you want to be TOGETHER! So we're now combining both Art Do Dinner and Art Do Party into one mega event on Saturday 27 July. If you've got dinner tickets, you'll be upstairs in an intimate gallery, five-course dinner, and one-of-a-kind Gallery dining experience. And if you're not doing the Dinner, you'll be downstairs, living large at the Party, enjoying a roving best-of-canterbury menu. Both cuisine experiences will be catered by Tom Hishon and White Tie Catering. And later, we'll all come together to celebrate our Gallery and raise the roof on art and creativity in Aotearoa.
Prepare yourself for a night of immersive art experiences, fuelled by visionary foodies and decadent drinks. This year we’re collaborating with some of the biggest names in New Zealand art to bring you two spectacular celebrations – all in the name of supporting creativity in Ōtautahi.
Without further aDO, here’s everything you can expect at Art Do.
Collection
Colin McCahon Northland
In 1958, Colin McCahon spent several months in America, visiting numerous art museums to see historical and contemporary art from the United States and Europe. Returning to a wintry Aotearoa New Zealand, he struggled to readjust. Eventually he found solace and inspiration in memories of a place very close to his heart – the wild, wind-sculpted landscape of Aotearoa’s Far North. Oil paintings were followed by a series of ink wash drawings, painted on paper spread out over the floor like a continuous, unfolding frieze. They are dark and lonely images, full of longing and a sense of return. “It’s a painful love, loving a land,” McCahon wrote. “It takes a long time.”
(Absence, May 2023)
Collection
Colin McCahon Northland
In 1958, Colin McCahon spent several months in America, visiting numerous art museums to see historical and contemporary art from the United States and Europe. Returning to a wintry Aotearoa New Zealand, he struggled to readjust. Eventually he found solace and inspiration in memories of a place very close to his heart – the wild, wind-sculpted landscape of Aotearoa’s Far North. Oil paintings were followed by a series of ink wash drawings, painted on paper spread out over the floor like a continuous, unfolding frieze. They are dark and lonely images, full of longing and a sense of return. “It’s a painful love, loving a land,” McCahon wrote. “It takes a long time.”
(Absence, May 2023)
Collection
Colin McCahon Northland
In 1958, Colin McCahon spent several months in America, visiting numerous art museums to see historical and contemporary art from the United States and Europe. Returning to a wintry Aotearoa New Zealand, he struggled to readjust. Eventually he found solace and inspiration in memories of a place very close to his heart – the wild, wind-sculpted landscape of Aotearoa’s Far North. Oil paintings were followed by a series of ink wash drawings, painted on paper spread out over the floor like a continuous, unfolding frieze. They are dark and lonely images, full of longing and a sense of return. “It’s a painful love, loving a land,” McCahon wrote. “It takes a long time.”
(Absence, May 2023)
