The word gyre means spiral or vortex, and something that whirls or gyrates. As a four-sided, reversible and rotating woven hanging, Doreen MacKenzie Fraser’s Gyre exceeds the usual expectations of weaving. Its perpetual motion also echoes the spinning and weaving processes. MacKenzie Fraser was taught to weave while living in Boulder, Colorado in the late 1960s by leading American weaver and potter Clotilde Barrett. MacKenzie Fraser was involved with the Christchurch Guild of Weavers and Spinners as a teacher and exhibitor, and became a key figure in the advancement of weaving in New Zealand from the 1970s on.

(Die Cuts and Derivations, 11 March – 2 July 2023)

First in high heels, then barefoot, artist Angela Tiatia repeats a movement performed in the traditional Siva Samoa dance. It’s an endurance exercise for her and us, reflecting the exhausting effort of meeting social and cultural expectations about how women should look and behave. By ensuring her malu (sacred female tattoo) remains visible, Angela challenges a Samoan taboo and critiques how society regards female Pasifika bodies.

The performance also has a more personal meaning. Angela’s mother supported her two daughters by sewing seams for garments to be shipped offshore. She hoped they would have an easier life, in office jobs where they could wear “nice high heels and a short skirt”. Angela’s own dream of being an artist was hard for her mother to accept.

(Perilous: Unheard Stories from the Collection, 6 August 2022- 21 July 2024)