Contemporary works that create subtle openings for connection and contemplation.
The Māori words ata and wairere combine to suggest a reflection glimpsed in a gently moving body of water. This exhibition unites three artists, Chris Heaphy, Lonnie Hutchinson and Kentaro Yamada, whose works draw on elemental forms from the natural world to create openings for contemplation and connection.
The waters that infiltrate Hannah and Aaron Beehre's new installation at our NG space are mysterious and poetic, owing more to mythmaking than reality.
Shannon Te Ao: Tēnei Ao Kawa Nei
Tenderness and human longing are revealed in Shannon Te Ao’s award-winning video installations.
The Devil’s Blind Spot: Recent Strategies in New Zealand Photography
Recent photography by an emerging generation of New Zealand artists.
Francis Upritchard: Jealous Saboteurs
Exquisitely imagined, startlingly strange works by an internationally acclaimed New Zealand artist.
Energies: Haines & Hinterding
See, hear, smell and feel the invisible energies that surround us as Australian artists David Haines and Joyce Hinterding summon unseen forces.
Great Britten! A work by Billy Apple
Billy Apple blurs the line between life and art with a new installation that celebrates the triumphant, record-shattering 1995 campaign of the Christchurch-designed Britten V1000 motorbike.
Fiona Pardington: A Beautiful Hesitation
A survey exhibition by a leading New Zealand photographer explores sex, death and the female gaze.
This DVD is one of an edition of five. The projection is of water (Lake Taupo, near the mouth of the Hinemaia River) It has been turned onto its side to create an enigmatic image suggesting ghostly figures. The soundtrack is a mixture of Gregorian chanting and sacred music by the 16th century Italian composer Claudio Monteverdi.
The Seven Sisters are prominent peaks on the undulating wall of the volcanic crater that forms Lyttelton Harbour. This wall – a geographical feature known generically as a ‘caldera’ because of its resemblance to a Spanish cauldron, or cooking pot – dominated the view from the studio in which Lonnie Hutchinson worked when she made this work. Sista7 is Hutchinson’s personal response to the mass and grandeur of this natural landscape – ‘my story, my myth’. Cut from building paper, the delicate, interlaced patterns envelop the ancient and solid mountain forms like mists. (Brought to Light, November 2009)
The dimensions given here are for one of this work's seven individual parts. The spacing between each part, and thus the width of the entire work, can vary. In this image from the exhibition Te Puāwai o Ngāi Tahu (10 May – 24 August 2003), the parts are installed 300mm apart.