Cyril Edward Power
England, b.1872, d.1951
The Eight
- c. 1930
- Linocut
- Presented by Mr Rex Nan Kivell, 1953
- 385 x 260mm
- 94/246
Location: Monica Richards Gallery
Tags: boats, dynamism, oars, people (agents), sports, sportsmen
Sybil Andrews and Cyril Power were good friends who worked very closely together as linocut artists and even collaborated on several poster designs. These two companion works, although completed several years apart, relate to the Boat Race – an annual rowing competition between teams from Oxford and Cambridge universities. Power’s The Eight shows racers on the Thames by London’s Hammersmith Bridge, a quick walk from Cyril and Sybil’s studio at Brook Green. Arms stretched out and bodies coiled, the tension and power exerted by the rowers are conveyed in the bend of the oars and the unfurling yellow lines of the boat’s wake as it ploughs through the water. Andrews captures the end of the race when the rowboat is lifted out of the water, the cubist styled angular bodies of the rowers all lined up and rhythmically repeated down the length of the boat.
(One O'Clock Jump: British Linocuts from the Jazz Age, 7 December 2024 - 11 May 2025)
Exhibition History
Sporting subjects were commonly used by many of the British linocut artists. Cyril Power had a studio near Hammersmith Bridge and he would watch the rowing teams on the River Thames. The highly rhythmical composition in The Eight skilfully captures the power and energy of the rowers as they pull on the oars. Power originally trained as an architect and he helped establish the Grosvenor School of Modern Art in 1925. Here he studied linocut under Claude Flight and he went on to become one of the most significant figures in the movement. Power collaborated with Sybil Andrews on several London Underground posters.