James McLachlan Nairn

Aotearoa New Zealand / Scotland, b.1859, d.1904

Sunlit Estuary

James Nairn’s arrival in Aotearoa New Zealand in 1890 was like a breath of fresh air for the country’s conservative art circles. Originally from Scotland, Nairn was a member of a progressive group of painters known as the Glasgow Boys, who were influenced by French developments in painting during the 1870s and 1880s, and particularly impressionism. He settled in Te Whanganui-a-Tara Wellington and became a strong influence on a younger generation of artists, both as a teacher and a professional artist. This luminous sun-soaked pastoral scene was painted at Silverstream, in the Hutt Valley within easy reach from Wellington. It was here that Nairn and other artists associated with the Wellington Sketch Club rented Pumpkin Cottage, which can be seen in the background. The artists developed a sense of comradery in the club, enjoying travelling from Wellington to Silverstream for weekends of plein air painting together, developing and sharing their interests in impressionism.

(Timeless: Treasures from the Historical Collection 19 September 2026 – 30 May 2027)

Exhibition History

other labels about this work
  • Nature's own voice,6 February – 26 July 2009

    Nairn formed the Wellington Art Club, a group of artists interested in pleinair painting and depicting the effects of natural light on the landscape. In 1894 the group began renting Pumpkin Cottage in the rural surroundings of Silverstream in the Hutt Valley, where artists would spend extended visits painting outdoors. Sunlit Estuary depicts the Paremata estuary north of Wellington, which was also a favourite painting area for Nairn and members of the Wellington Art Club.This coastline north of Wellington shows the sparsely populated landscape of the 1890s. At this time the Paremata estuary region was a favourite painting area for James Nairn and other members of the Wellington Art Club.