Raymond McIntyre

Aotearoa New Zealand, b.1879, d.1933

Street in Saint-Valery-sur-Somme

  • c. 1913
  • Oil on panel
  • Purchased with assistance from the Barbara Anne Ford bequest, 2025
  • 493 x 445mm
  • 2025/158
  • View on google maps

Like many Aotearoa New Zealand creatives of their generation, Owen Merton and Raymond McIntyre both pursued their dreams of living and working abroad. By 1910 the two Ōtautahi Christchurch born artists were working in London and would often catch up. Both took the opportunity to study, visit art galleries and develop their own art in line with modern developments in British and European art. Although McIntyre did occasionally venture to France on painting excursions, including to the picturesque village Saint-Valery-sur-Somme, he was largely content to paint London’s Chelsea neighbourhood where he lived. Merton, on the other hand, was much more outgoing and enjoyed numerous painting excursions throughout the United Kingdom and further afield to France, Spain, Italy, Algeria and Bermuda.

(Timeless: Treasures from the Historical Collection 19 September 2026 – 30 May 2027)

Exhibition History

other labels about this work
  • Raymond McIntyre: A Modernist View, 25 October 2025 – 8 March 2026

    Unlike many of his expatriate contemporaries – including Frances Hodgkins, Owen Merton and Sydney Lough Thompson – who visited France regularly, Raymond McIntyre was content with sourcing much of his subject matter in the London suburb of Chelsea where he lived. He did visit Britanny, France, in 1912, and it is thought on the same trip spent time at the seaside village of Saint-Valery-sur-Somme. With its quaint streets, ancient buildings and pleasant location overlooking the Somme estuary, Saint-Valery-sur-Somme was a popular spot for artists, including McIntyre’s contemporary Frances Hodgkins who was also based there in 1912.