Tim J. Veling
Aotearoa New Zealand, b.1980
Latimer Square, Christchurch, 2012, from Adaptation, 2011 - 2012
- 2012
- Digital C-type print on Fuji Crystal Archive paper
- Gift of the artist, 2012
- 1574 x 1270mm
- 2012/045
- View on google maps
Tags: buildings (structures), demolition (process), fences, grids (layout features), street lighting, trees
Tim J. Veling's photographs of post-quake Christchurch are studies in memory and transformation. From a body of work titled Adaptation, this nocturnal image reveals the strangeness of the transitional city, not least its moments of surprising, eerie beauty.
(Unseen: The Changing Collection, 18 December 2015 – 19 June 2016)
Exhibition History
Related reading: Unseen: the changing collection
Notes
Earthquake Momento
The latest issue of Photoforum's MoMento journal (issue 14, January 2014) focuses on the work of three photographers with strong ties to Christchurch and their haunting images of this battered city post February 22, 2011.
Notes
Kauri tree landscape by Colin McCahon
This article first appeared as 'Mighty kauris inspired McCahon' in The Press on 10 February 2015.
Notes
NUD CYCLADIC I by Sarah Lucas
This article first appeared as 'A visible means of support' in The Press on 26 September 2014.
Notes
How Did You Do That?
How often have you stood in front of an art work and wondered how the artist did that?
Notes
Lift of a gift
Staff here at the Gallery have enjoyed finally getting the opportunity to see Dust, Smoke and Rainbows (2013), a major new painting gifted by Shane Cotton, which was brought out of storage to be photographed recently.
Notes
There is only one direction by Colin McCahon
This article appeared as 'Divine Innovation' in the The Press on 31 August 2012.
Notes
Populate! update #8 (face up)
The waning sun and lowering weather have one nice side-effect, which is to create the perfect conditions for viewing Peter Stichbury's backlit billboard NDE, newly installed on Worcester Boulevard.
Notes
A major boon to the Gallery in the direct aftermath of the earthquake
English artist Sarah Lucas was installing her show in Two Rooms, Auckland, when the 22 February earthquake struck.
Notes
Max's gift
In early 2010 Max Gimblett announced his intention to give the Gallery a substantial gift of works on paper. The only complication was that someone had to go and select them...
Notes
Subtly engaging security
We've all heard the stories about confusions occurring on the edge where art meets life. The London cleaning lady, for instance, who threw out hundreds of cigarette butts that turned out to be a Damien Hirst. Naturally, no self-respecting gallery professional wants to see their favourite artworks confused with mere stuff.