Max Gimblett
Aotearoa New Zealand, b.1935
Certainty
- 2002
- Pencil, ink / Lanaquarelle 300 lb Hot Press Mouldmade 100% Cotton Paper. France
- The Max Gimblett and Barbara Kirshenblatt-Gimblett Gift, 2011
- 584 x 762mm
- 2011/152
Tags: abstraction, flowers (plants), quatrefoils, yellow (color)
For the exhibition Yellow Moon: He Marama Kōwhai (28 October 2017 – 28 October 2018) this work was displayed with the following label:
Max Gimblett is a New Zealand artist living in New York who makes art for contemplation and healing. For him, the art-making process embraces awareness of the unknown and the idea of being part of something bigger. He says: “Human is a tiny part of things. The ocean, the unconscious – these are things that are not knowable. Sometimes you can participate in a work from and in that source.” Gimblett also values “the curiosity that’s endless in beginning a drawing or a painting”, and attempts “to find a voice that will deliver the maximum content in the cleanest, clearest aesthetics”.
Exhibition History
Related reading: Unseen: the changing collection
Notes
Kauri tree landscape by Colin McCahon
This article first appeared as 'Mighty kauris inspired McCahon' in The Press on 10 February 2015.
Notes
NUD CYCLADIC I by Sarah Lucas
This article first appeared as 'A visible means of support' in The Press on 26 September 2014.
Notes
How Did You Do That?
How often have you stood in front of an art work and wondered how the artist did that?
Notes
Lift of a gift
Staff here at the Gallery have enjoyed finally getting the opportunity to see Dust, Smoke and Rainbows (2013), a major new painting gifted by Shane Cotton, which was brought out of storage to be photographed recently.
Notes
There is only one direction by Colin McCahon
This article appeared as 'Divine Innovation' in the The Press on 31 August 2012.
Notes
Populate! update #8 (face up)
The waning sun and lowering weather have one nice side-effect, which is to create the perfect conditions for viewing Peter Stichbury's backlit billboard NDE, newly installed on Worcester Boulevard.
Notes
A major boon to the Gallery in the direct aftermath of the earthquake
English artist Sarah Lucas was installing her show in Two Rooms, Auckland, when the 22 February earthquake struck.
Notes
Max's gift
In early 2010 Max Gimblett announced his intention to give the Gallery a substantial gift of works on paper. The only complication was that someone had to go and select them...
Notes
Subtly engaging security
We've all heard the stories about confusions occurring on the edge where art meets life. The London cleaning lady, for instance, who threw out hundreds of cigarette butts that turned out to be a Damien Hirst. Naturally, no self-respecting gallery professional wants to see their favourite artworks confused with mere stuff.