Having the opportunity to spend over a week in New York recently to work closely with the artist Max Gimblett and his studio assistants in making a selection from Max's extensive collection of works on paper for a gift to Christchurch Art Gallery rates as one of the highlights of my job as a curator.
In 1997, I went to see an exhibition called White Out, curated by William McAloon for Auckland Art Gallery’s contemporary space. The show’s subtitle unambiguously promised ‘Recent Works by Seven Artists’, but as I completed my circuit I realised I’d come up one maker short.
Finally, it's finished! It is now four months since we closed the doors on the previous incarnation of Christchurch Art Gallery's collection exhibition, and the intervening period has been a very busy time for all our staff. When Christchurch Art Gallery opened in 2003, the plan, reiterated in the Paradigm Shift document of 2006, was to refresh the hang of the collection galleries after five years. Since then the display has of course not remained entirely static, and visitors will have noticed regular changes as new works entered the collection, light-sensitive works were changed and small focus exhibitions created. But Brought to Light: A New View of the Collection is something altogether more-a refreshment of our entire collection display (not just what, but why) and a re-evaluation of the physical space of the galleries themselves.