Kā Kaupapa o te Wā
What’s On
Edith Collier: Early New Zealand Modernist
A rare opportunity to view the work of one of Aotearoa New Zealand’s most adventurous and experimental modernist artists.
Made in the Pacific: A Collection of Tāoga
A selection of Pacific tāoga from the Canterbury Museum in conversation with contemporary artworks that highlight the continued strength in culture and traditional art forms.
Mark Adams: A Survey | He Kohinga Whakaahua
A comprehensive survey spanning the artist's career.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Collection
Max Gimblett Disasters of War - 3 - Helicopters Have Feelings Too - Push Pins in the Eyes - DNA
Collection
Max Gimblett Lost At Sea - 2
“In 1983, the skull arrived in my work as a motif. I understand its presence as an element of my preparation for leaving my body. It is an aspect of one’s death.” —Max Gimblett (Max Gimblett: Ocean Wheel, 1 August – 15 November 2020)
Collection
Max Gimblett Lost At Sea - 1
“In 1983, the skull arrived in my work as a motif. I understand its presence as an element of my preparation for leaving my body. It is an aspect of one’s death.” —Max Gimblett (Max Gimblett: Ocean Wheel, 1 August – 15 November 2020)
Collection
Max Gimblett Glow
“In 1983, the skull arrived in my work as a motif. I understand its presence as an element of my preparation for leaving my body. It is an aspect of one’s death.” —Max Gimblett (Max Gimblett: Ocean Wheel, 1 August – 15 November 2020)
