Kā Kaupapa o te Wā
What’s On
Edith Collier: Early New Zealand Modernist
A rare opportunity to view the work of one of Aotearoa New Zealand’s most adventurous and experimental modernist artists.
Made in the Pacific: A Collection of Tāoga
A selection of Pacific tāoga from the Canterbury Museum in conversation with contemporary artworks that highlight the continued strength in culture and traditional art forms.
Mark Adams: A Survey | He Kohinga Whakaahua
A comprehensive survey spanning the artist's career.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Notes
Puzzling
During our recent collection shift - in which all of the Gallery's treasures were returned to their rightful, refurbished homes, we took the opportunity to assemble and photograph a work which has made its way into our collection post quake.
Exhibition
Paul Johns: South Pacific Sanctuary / Peraki / Banks Peninsula
The consideration of Japanese whale-hunting activity and ensuing protest in nearby southern waters has led to a reflection on our local whaling past, highlighting changing and divergent attitudes to animal life.
Notes
Paradoxical Undressing
The Word Christchurch Writers and Readers Festival 2014 was held over the weekend and featured many fascinating events, and Christchurch Art Gallery was proud to be an associated partner for some of these.
Interview
Bringing threads together
Dr Lara Strongman is the Gallery's new senior curator. She speaks to Bulletin about her passion for writing and art history, the importance of culture in a post-earthquake community and the contemporary curator.
Article
A Room of One’s Own
That experience of foreignness, of working within a different geographic or cultural context, has proved a compelling stimulus for arts practices, particularly when coupled with a studio and free accommodation.
As you read this, hundreds of artists and curators from around the world are carving out a living and working space in locations made remarkable by their strangeness and/or the opportunity to live and work away from the pressure of paid work, be it in Sweden or Southland, Dunedin or Denmark, New Plymouth or the Netherlands.
Article
Stakes in the ground
Last, Loneliest, Loveliest is New Zealand's first official presence at the International Architecture Exhibition La Biennale di Venezia, and takes its alliterative title from Rudyard Kipling's poem, 'The Song of the Cities', which gives four lines each to various cities from the British Empire, including Auckland:
Last, loneliest, loveliest, exquisite, apart–
On us, on us the unswerving season smiles,
Who wonder 'mid our fern why men depart
To seek the Happy Isles!
My Favourite
Piranesi's Veduta dell’Anfiteatro Flavio
I have long been drawn to etchings, and engravings, prints and plans, sections, even blueprints. Blue is probablygetting a bit racy though… plain black and white does it for me quite adequately.
Notes
Frozen flame, Worcester Street
I've been calling it Christchurch's 'everyday surrealism': the commonplace spectacles of life in a post-disaster city. Since the Christchurch earthquakes, the extraordinary has been rendered ordinary by force of daily exposure.
Exhibition
Michael Parekowhai: Chapman's Homer at the Christchurch Civic Building
Michael Parekowhai's powerful bronze sculpture of a bull standing on a piano captured Christchurch's heart. After spending the winter in his crate, he's back in time for spring.