Russell Clark’s spectacular composite mural, a modernist architectural relic, was created to decorate the foyer of the (now demolished) T & G Insurance Building in Ōtautahi / Christchurch. It was one of many murals by Clark, who was a painter, sculptor, illustrator and art school university lecturer. Against a variegated green background, juxtaposed raised amorphous and geometric shapes resemble fish, fishhooks and whakairo (carving) motifs. Clark has also used pieces of domestic crockery to make ceramic mosaics. Completing the arrangement are hand-worked amoeba-like forms in copper, pewter and brass. This mural reveals Clark’s active engagement with Pacific forms and his keen sense of the contemporary moderne architectural moment.

(Te Wheke, 2020)

Shannon Williamson is an artist who trained as a sleep scientist. Her drawings begin with the data she gets from recording sleep. In the ‘Continuous Positive’ works, she includes medical notes and translates records of sensory experience into specific colours and reoccurring motifs like rainbows and circles. The drawings are like maps of the circadian rhythms of the body, the natural processes of regulation and repair that occur within sleep and intimately affect the way people function and how they feel about themselves. The title refers to the form of sleep therapy Williamson works with, Continuous Positive Airway Pressure. It also suggests the state of mind necessary to keep going through difficulty. “I needed money to make art, but I needed time to make art, which was hard with a day job—I had to be continually positive about my practice,” she says.

(Now, Then, Next: Time and the Contemporary, 15 June 2019 – 8 March 2020)