Kā Kaupapa o te Wā
What’s On
Living Archives
New exhibition now open.
Peter Robinson: Charcoal Drawing
A roomful of industrial-scale beams folded into unexpected and compelling new forms.
He Kapuka Oneone – A Handful of Soil
Exploring the relationship between tākata and whenua – people and land – through Aotearoa New Zealand’s art history.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Commentary
Peter Robinson
Physically imposing yet also vaguely laughable, the burnt- wood-veneer aluminium works in this exhibition call back to Robinson’s previous engagements with obstinately artificial materials, such as polystyrene and felt. However, compared to the almost histrionic theatricality of some older works, these “charcoal drawings” are comically dour, although it would be a mistake to interpret this faux-minimalist posture as purely ironic.
Interview
Gold, Chalk and Rabbit-Skin Glue
Bulletin talks to Anne-Sophie Ninino, a French-trained conservator based in Ōtautahi Christchurch with international experience in museum conservation and a specialisation in gilding, frame and heritage restoration.
Artist Profile
Hye Rim Lee
The laptop fires up and a dreamlike virtual world materialises. Exquisite peacocks – glassy black, ethereal white – emerge on a moonlit stage, framed by icy blue branching patterns. A cast of swans glide through a luminous, rippling lake in measured arcs, their movements both urgent and graceful. In other scenes, two royal lovers – bound by fate, divided by unseen forces – circle one another, mirroring gestures of longing and hesitation.
My Favourite
Ron Mueck: chicken/man
When I was growing up on our rural property in the South Wairarapa, my Dad was engaged in a constant war with his chickens. They would crap on the back deck, the side deck, and occasionally walk into the house and crap on the kitchen floor. He spent countless hours hosing down their muck and complaining about their every move, but still loved them enough to run a regular “name my chooks” competition on his Facebook page for a time.
Commentary
Morris Dancing in the Modelling Room
Arriving in Ōtautahi Christchurch must have been like arriving on another planet for Francis Shurrock. It was 1924, and he had travelled half-way around the world from England to take up a position as modelling and art craft master at the Canterbury College School of Art. Indeed, one of his pupils there, Juliet Peter, later described him as an “alien”, for the fresh approach to teaching that made him stand out from other teachers at the school. Nevertheless, Shurrock made Ōtautahi his home and never returned to England.
My Favourite
Tony Fomison: No!
Dad was always the arty one.
We didn’t think of it as art, growing up. We just thought of it as him having strong opinions about what looked and sounded good. Music, especially. After school finished each day, he’d crank up the stereo and our home would hum with blues and rock from the 1960s and early 1970s. Cream and the original Fleetwood Mac were forever fighting the drone of the kitchen extractor fan.
Commentary
Disruptive Landscapes
Disruptive Landscapes: Contemporary Art from Japan includes moving-image works that examine our relationships to the land, whether historical, mythological or contemporary. They reveal how landscapes at once reflect our imagination and endorse national identity and societal structures. Landscapes are the aestheticised and mediated form of our natural surroundings, encoded with politics, cultural memories and belief systems; through distinct framing and composition they assert certain politics and mindsets, such as the notion of an untouched, unoccupied land, or the ideal ecosystem for a site.
Commentary
Clocking Off
For most people, migration is a semi-abstract concept. It’s the fall guy for social issues, the topic of choice for political pundits. For me, it was something I romanticised. Although both of my parents were born in Tāmaki Makaurau Auckland I always thought of myself as the child of migrants, as all four of my grandparents were born outside of Aotearoa New Zealand and immigrated here for various reasons at various times. However, it wasn’t until I became a migrant worker myself, after accepting a job in the United States and navigating immigration firsthand, that I realised how difficult moving countries was.
Commentary
Japan circa 1970, Landscape and Chile
In 1951, the Treaty of San Francisco formally ended the war between the Allied Powers and Japan. The United States and Japan also signed the Treaty of Mutual Cooperation and Security (known in Japan as Anpo), in which Japan agreed to host United States military bases. Nine years later a revised version of this treaty further formalising the arrangement between the two nations was negotiated by Japanese prime minister Kishi Nobusuke (the grandfather of future prime minister Abe Shinzo) and President Eisenhower.
