Ranui Ngarimu ONZM (Ngāi Tahu, Kāti Māmoe, Ngāti Mutunga) Kahu Poa 2003. Harakeke, pākihi, muka, emiemi, tikumu. Collection of Ranui Ngarimu, Christchurch
Connie Pewhairangi-Potae (Ngāti Ira) Harakeke Para Kore 2020. Harakeke. Collection of Connie Pewhairangi, Tolaga Bay
Emily Rangitiaria Schuster OBE, QSM (Te Arawa, Ngāti Tūwharetoa) Piupiu early 1980s. Harakeke, paru dye. On loan from the Davis whānau
Cath Brown QSM (Ngāi Tahu—Ngāi Te Ruahikihiki) Kete Kiwi 1990s. Harakeke, kiwi feathers. Collection of Liz Brown, Christchurch
This exhibition is now closed
Celebrating the great mana of the senior Māori weavers of Aotearoa New Zealand, and the complexity and beauty of their work.
The story of Māori weaving is one of great skill, determination and survival. When colonisation threatened Māori culture and society, the women continued to weave. Against overwhelming odds, Māori upheld the mana and traditions of raranga, passing down their skills and knowledge—the eternal thread—ensuring that this vital practice thrives in our contemporary world.
A partnership project between Christchurch Art Gallery Te Puna o Waiwhetū and Te Roopu Raranga Whatu o Aotearoa, with support from Toi Māori.
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Date:
18 December 2021 – 3 April 2022 -
Location:
Borg Henry Gallery Touring Gallery B Touring Gallery C -
Curator:
Nathan Pōhio -
Exhibition number:
1116
Collection works in this exhibition
Related
Exhibition
Te Rā: The Māori Sail
8 July – 23 October 2023
Kaua mā te koroingo noa iho, engari mā te werawera rānō
Exhibition
Toi Māori: The Eternal Thread – Te Aho Mutunga Kore
16 February – 27 May 2007
The Gallery is privileged to host the homecoming of a major international touring exhibition celebrating the changing art of Māori weaving.
Commentary
Looking After Your Taonga
How do you care for textile-based artworks if you have them at home? Bulletin asked some experts for their tips and advice.
Director's Foreword
Director's Foreword
Welcome to the summer issue of Bulletin. In it we celebrate the opening of our new exhibition Te Puna Waiora: The Distinguished Weavers of Te Kāhui Whiritoi. This major show is the most significant showcase of Māori weaving to be displayed in Ōtautahi Christchurch since we were privileged to host Toi Māori: The Eternal Thread / Te Aho Mutunga Kore in 2007. For Bulletin, Patricia Te Arapo Wallace, adjunct senior fellow for the Aotahi School of Māori and Indigenous Studies at the University of Canterbury, writes about the process of Māori weaving; its decline during nineteenth-century colonisation and its eventual recovery leading to the creation of the Kāhui Whiritoi in 2005. This group was formed to acknowledge the mana of Aotearoa’s master weavers, and their works are further celebrated in the major new publication the Gallery has produced to accompany the exhibition.
Commentary
Te Puna Waiora
In the Māori worldview, context is vital. Knowledge is not disembodied information but part of a living matrix of encounters and relationships, past and present, natural and spiritual.