B.

Ana utu Tiibin (the Tiibin family)
Kiribati/New Zealanders

Tangin Bwanaan Tebetebeke
(Voices from the Pacific Ocean)
Composed July 2018 – September 2019
For 5-part voice and guitar, 5 mins 40 sec

The Tiibins’ anthem considers the reality and possibility of having multiple homes and homelands. Their sense of belonging spans and connects two countries within the vast Pacific Ocean – Aotearoa New Zealand and Kiribati (pronounced “Kiribas”). The bond the Tiibins sing of is strong but fragile. Kiribati is one of earth’s most vulnerable countries with regard to the climate crisis. Rising seas imminently threaten to engulf the low-lying island nation, where the average elevation of the expansive archipelago is 1.8m above sea level. Already, waves wash right over low-lying parts of the land at high tide. Even if bold action was taken today, the fate of Kiribati is dire – within our lifetime most of the nation will be uninhabitable, swallowed by the rising sea.

Facing the realities of this climate emergency head on through song, the Tiibin family ask a profound question: how can a nation of people live on without physical land to rest their feet? How can culture, language and traditions survive and prosper when spread across many countries?

The Vissers Webb family
Dutch/Pākehā/New Zealanders 

Dorian Alleluias
Composed April – September 2019
For variations of voices including instrumental-voice,
3 mins 10 sec (variable)

At the heart of this song is the question of how we each live out the values we uphold. Are our actions and relationships with others, and our world, honest to our beliefs? For the Vissers Webb family (the artist’s own family), these ideas can be found in small actions of family love as much as is in larger actions or socio-political movements. This anthem is improvised around the musical mode/scale called Dorian. Each rendition differs from the last, though the lyrics and mood of the piece remain consistent (just one rendition of the multiple recordings made is shown in this exhibition). The family chose this composition format for its links to jazz improvisation as well early Western vocal ornamentation. But most importantly, they chose this form of music making because it demands listening carefully to what others are doing and saying. Careful listening like this requires good teamwork and a heartfelt interest in ensuring each voice is heard, which can mean putting the needs of others before your own. Their anthem is a song of thanksgiving and appreciation for those people who hold us to account, who challenge and question, who encourage, and who love unconditionally.

The Samson-Godinez family
Filipino/New Zealanders

New Zealand, Our Home
Composed July 2018 – September 2019
For voice and piano/organ or other instrumentation, 1 min 30 sec

‘God Defend New Zealand’ began as a Christian hymn, becoming New Zealand’s second national anthem in 1977. The Samson-Godinez family favour the idea of an anthem as a hymn – an uplifting song of thanksgiving and praise that sings of values and beliefs. The traditional style of this new composition echoes a community-oriented time; an inherently social music that comes to life when sung by a group or a family.

Their new song 'New Zealand, Our Home' is about some of the qualities of Aotearoa New Zealand that form a unique sense of identity and home. Their anthem begins by noting characteristics often identified with New Zealanders: loyalty, friendliness, familiarity, and an easy-going nature. The final two verses pair the beauty of the land with the wild and brutal forces of nature that can unexpectedly shift the earth beneath our feet, stirring a nation into action.