Christchurch Art Gallery Te Puna o Waiwhetū
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    Notes Commentary Artist Profile Article Director's Foreword My Favourite Interview

    Director’s Foreword

    Director's Foreword

    Disruptive Landscapes

    Commentary

    Tony Fomison: No!

    My Favourite

    Clocking Off
    The Shifting Labours of John Vea

    Commentary

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    Paper Weight

    Paper Weight

    Ryley, Margaret

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    The Manu Lounge

    The Manu Lounge

    Amituanai, Edith

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    Dutch Boy

    Dutch Boy

    van der Velden, Petrus

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    Cuenca, Spain

    Cuenca, Spain

    Sherwood, Maud Winifred

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    The Rock

    The Rock

    Hughes-Stanton, Blair Rowlands

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    Beachy Head, Sussex

    Beachy Head, Sussex

    Habgood, Noel

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    Knee

    Knee

    Verdcourt, Ann

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    Flowers

    Flowers

    Peter, Juliet

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    Giant Eagle

    Giant Eagle

    Hammond, Bill

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    Lines

    Lines

    High, Brian

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    Bourke Street, Melbourne From Parliament Buildings

    Bourke Street, Melbourne From Parliament Buildings

    Habgood, Noel

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    Rugby

    Greengrass, William

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    Black Rock and Razorback, Te Henga

    Black Rock and Razorback, Te Henga

    Binney, Don

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    Bowl

    Bowl

    Smisek, Mirek

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    Moonlight Perugia

    Moonlight Perugia

    Ellis, Frederick Vincent

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    Kings House, Argyll, Scotland

    Kings House, Argyll, Scotland

    Habgood, Noel

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    Untitled (Head 6)

    Untitled (Head 6)

    Cotton, Shane

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    Veduta della Gran Curia Innocenziana

    Veduta della Gran Curia Innocenziana

    Piranesi, Giovanni Battista

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    Girl reading

    Girl reading

    Asselin, Maurice

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    Onyx - 23/35

    Onyx - 23/35

    Gimblett, Max

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    Ancient Cottages at Boscastle Cornwall

    Ancient Cottages at Boscastle Cornwall

    Habgood, Noel

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    Transit/Trace

    Transit/Trace

    Parker, Audrey

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    Departure

    Departure

    Kaner, Sam

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    Man Filling His Pipe

    Man Filling His Pipe

    Bega, Cornelius Pieter

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    I’ll have no more of leap frog. A fine leap legs but don’t swallow the post. You keep your lubberly head down Sir.

    I’ll have no more of leap frog. A fine leap legs but don’t swallow the post. You keep your lubberly head down Sir.

    Unknown, Artist

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    Antigua Street Bridge

    Antigua Street Bridge

    Fitzgerald, James

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    Sulphide St Station, Broken Hill, NSW

    Jack, Kenneth

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    Girls Head

    Girls Head

    Aitken, Chrystabel

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    Etude de femme assise, vue de dos

    Etude de femme assise, vue de dos

    Fantin-Latour, Henri

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    Kiwi Hut N.Z. Y.M.C.A. Codford Camp, Wiltshire, England

    Kiwi Hut N.Z. Y.M.C.A. Codford Camp, Wiltshire, England

    Willis, John Henry

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    Anima - Deity

    Anima - Deity

    Gimblett, Max

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    The Entanglement - Memento Mori 13+1 Or Trying To Get Everything Into Its Proper Perspective

    The Entanglement - Memento Mori 13+1 Or Trying To Get Everything Into Its Proper Perspective

    Cleavin, Barry

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    Phone Friends

    Phone Friends

    Shannon, Marie

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    Skid Row

    Skid Row

    Gimblett, Max

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    Le chêne et le roseau

    Chagall, Marc

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    911 Act - Onto Us

    911 Act - Onto Us

    Gimblett, Max

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    Entrance Gateway Gifford’s Hall, Suffolk

    Entrance Gateway Gifford’s Hall, Suffolk

    Davy, Henry

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    4851 WAIT TILL HE BRINGS YOU RABBITS

    4851 WAIT TILL HE BRINGS YOU RABBITS

    Reweti, Bridget

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    Sale Day Hawarden, N. Canterbury

    Sale Day Hawarden, N. Canterbury

    Shurrock, Francis A.

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    A Windy Day

    A Windy Day

    McLintock, Alexander Hare

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    Tall Pine

    Tall Pine

    Lloyd, Olive

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    Nude Study

    Nude Study

    van der Velden, Petrus

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    Society of Accurately Enough: Catalogue of Massacres

    Society of Accurately Enough: Catalogue of Massacres

    Flanagan, Scott

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    Rain over Puponga

    Rain over Puponga

    Bensemann, Leo

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    Untitled [possibly Mount Alexander from the Taramakau River]

    Untitled [possibly Mount Alexander from the Taramakau River]

    Gouldsmith, Edmund

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