Séraphine Pick

Aotearoa New Zealand, b.1964

Untitled

  • Purchased 1998
  • Reproduced with permission
  • Oil on canvas
  • 1370 x 1670mm
  • 98/123
  • 1998

The focus of this painting is largely psychological. Figures and objects appear to emerge and recede between layers of paint, suggesting visions, memories or dreams, some of which are remembered clearly and others that return only as fragments. Although Séraphine Pick’s painting offers the viewer a choice of many possible interpretations, one obvious theme is that of changing or uncertain identity, shown in the concealment of faces through masks or blurring. Pick has painted some forms and figures onto wet paint, creating a faint, ethereal effect. Spaces are deliberately vague and planes overlap and interpenetrate with an individual logic and seemingly casual randomness which creates its own tensions and ambiguities.

Pick was born in Kawakawa in the Bay of Islands and graduated from the University of Canterbury in 1988. She was the recipient of the Olivia Spencer Bower Award in 1994 and in 1995 was chosen as the Rita Angus Artist in Residence. Pick was the Frances Hodgkins Fellow at the University of Otago in 1999.

earlier labels about this work
  • Resembling writing and doodles which have been half erased from a blackboard, Untitled can also be read as a painted diary or an intimate stream of consciousness. There are many interlacing layers in the painted surface and in the imagery, which incorporates subject matter from popular culture, childhood memories and personal, often sexual, experience. Obeying the rules of memory rather than reality, the figures and objects emerge and recede into a gravity-free space. Identities are hidden by Pick's use of masks, veils and blurred faces. The elusive and fleeting marks, often sketched into the paint while it is still wet, offer the viewer no explanations. Instead they invite us to assemble our own memories and associations in order to construct our own narrative.

Related

Commentary
Raiding the Minibar

Raiding the Minibar

When does history start? What is the time span of the present? When do the margins of the contemporary begin to dissolve into the past? Our collection-based exhibition, Your Hotel Brain, looks at a group of New Zealand artists who came to prominence in the 1990s. Collectively their work explores ideas that have been critical to art-making in Aotearoa New Zealand over the past twenty years. Identity politics, unreliable autobiographies and references to a broad spectrum of visual culture – including Black Sabbath’s music, prison tattoos, automotive burn-outs and our no-smoking legislation – traverse the contested ground of recent New Zealand art, linking the just-past with the emerging present. A selection of works from the exhibition are reproduced here.

Notes
Shadow play

Shadow play

This article first appeared as 'Ghosts in sunglasses' in The Press on 8 October 2008