Bill Hammond
Aotearoa New Zealand, b.1947, d.2021
Bone Yard Open Home, Cave Painting 4, Convocation of Eagles
- 2008
- Acrylic on canvas
- Purchased 2021 with assistance from Christchurch Art Gallery Foundation, Friends of Christchurch Art Gallery, Lyttelton Port Company, Mel and Marcel Brew, Paul and Dianne Chaney, Liz Collins, Brian and Jannie Gillman, Max and Margaret Luisetti, Alison and Ian O’Connell, Gabrielle Tasman and Ken Lawn, Three Lakes Cultural Trust, along with 97 other generous individuals
- 2200 x 4200mm
- 2020/045
Location: South Gallery
Tags: birds (animals), caves, flags, green (color), landscapes (representations), trees, words
Ōhinehou Lyttelton artist Bill Hammond sailed south from Aotearoa New Zealand to the subantarctic Maungahuka Auckland Islands in 1989. The islands are rich with an abundance of birds and diverse flora, and the experience left a lasting impression. Hammond began to imagine how Aotearoa may have looked before humans arrived, painting evocative, ghostly landscapes dominated by bird-people. This painting has connections to Ōhinehou, Matuku-takotako Sumner, Te Raekura Redcliffs and Horomaka Banks Peninsula. A large tree stump alludes to the destruction of forests across Aotearoa, reinforcing Hammond’s ongoing concern with the fragility of our natural environment and species loss. In the 800 years that humans have occupied Aotearoa, seventy percent of our indigenous landcover has been lost and more than 100 species of plants and animals have become extinct. Most extinctions have been birds, with Aotearoa losing almost half of its known species. Currently seventy-five percent of indigenous reptile, bird, bat and freshwater fish species are at risk of extinction.
He Kapuka Oneone – A Handful of Soil (from August 2024)
Exhibition History
Te Wheke: Pathways Across Oceania, 30 May 2020 – 3 July 2022
“It’s bird land. You feel like a time-traveller, as if you have just stumbled upon it – primeval forests, rātās like Walt Disney would make. It’s a beautiful place, but it’s also full of ghosts, shipwrecks, death…” —Bill Hammond
Bill Hammond sailed to the remote Auckland Islands, south of Aotearoa New Zealand towards Antarctica, in 1989. Its landscape made a profound impression on him. Lined up on cliffs, staring out at the ocean, the birds of the Auckland Islands were unafraid of people, and Hammond imagined that Aotearoa looked very similar before human habitation. Different stories and timeframes and images collide in his canvasses as if in a dream, or as if fragments of consciousness were projected on to a screen. “I don’t have a tight brief”, he said. “I fumble around history, picking up bits and pieces.”