B.
Île de la Cité by Charles Brasch
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Paris seems further away than ever when all we see at present are the streets we can reach on foot. But with the help of two Charleses, Brasch and Meryon, we can perhaps fancy ourselves there again. Paris and its cathedral are no strangers to loss and suffering and we all hope for better times in the future.
Today our Education and Visitor Programmes Team Leader Lana Coles takes us to the banks of the Seine for just under a minute. Just long enough to...you know the drill.
We are grateful to Alan Roddick, Charles Brasch's Literary Executor for permission to reproduce this poem.
Charles Meryon L’abside de Notre Dame de Paris Collection of Christchurch Art Gallery Te Puna o Waiwhetū
Related reading: Covid-19
Collection
Charles Meryon Le Ministère de la Marine
Charles Meryon’s fantastical Parisian scene presents the French Admiralty building with a flying horde being delivered from the far ends of the globe. The crowd below is thrown into disarray as Roman charioteers, whales and whaleboats, a waka with sails, an anchor, serpents, cowboys and horses with fishtails prepare for landing.
Meryon’s impaired mental state in this period is the usual explanation given for this extraordinary etching. At the same time, it may be viewed as an image laden with personal symbolism as the confounding facts, fantasies and errors of the past make their perplexing return.
Meryon spent three years in Akaroa from 1843–46 as a young naval cadet, protecting the fledgling French settlement. Although this particular colonising plan did not succeed, the streetlamps of Paris were fed a regular supply of whale oil from Banks Peninsula in this period. For Meryon these were formative years and regularly revisited in his imagination. (Kā Honoka, 18 December 2015 – 28 August 2016)
Collection
Charles Meryon Le Stryge
.Le Stryge (the ghoul) is from Charles Meryon’s Paris Set, a folio of eighteen etchings of views of Paris produced between 1851 and 1854. Le Stryge is the most dramatic and sinister of his Parisian views, a mood further enhanced in the second state of the print, which included the inscription Insatiable vampire of eternal luxuria coveting this grand city as its feeding place. The view is taken from a gargoyle on the north tower of Notre Dame, with the tower of Saint Jacques standing prominently in the distance. The black ravens, symbols of evil and darkness, swoop and soar menacingly above the city. Born in Paris, Meryon served with the French navy and was posted to Akaroa, New Zealand from 1843 to 1846. On his return to France he decided to become an artist. He studied under French printmaker Eugène Bléry (1805–1887) and went on to become one of the most important French etchers of the 19th century.
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Director’s Update
With a welcome shift back to Level 2 in our collective fight against COVID-19, we are delighted to reopen our doors to visitors.
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Bringing up the rear
We finish our handwashing poems with R A K Mason's Song of Allegiance, read, as was the Keats sonnet that started this series, by me.
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House Rules by Joanna Margaret Paul
We are delighted to present Joanna Margaret Paul's House Rules, read by its creator's daughter Magdalena Harris. Dishwasher tension will, we are sure, be familiar to all.
The poet also created the painting you see, which is called Barrys Bay: Interior with Bed and Doll.
And although it's a day after Mother's Day, let's today salute all mothers and their efforts, especially over the last few weeks.
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Running Water by Robyn Hyde
We don't want the poems to stop but dare we hope we are inching closer to re-opening? In the interests of playing it safe, let's keep washing our hands though, today with Visitor Host Dora Mullins and some exquisitely sad lines from Robin Hyde.
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Cat in the Dark by Margaret Mahy
A beautiful poem today by Margaret Mahy, beautifully read by 10 year old Elsie Billington.
A minute of pure handwashing pleasure.
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A Calm Day by Basil Dowling
Today our Graphic Designer Peter Bray reads about the sound of the ocean when the wind dies down. Only Basil Dowling puts it lot better than that in A Calm Day.
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I saw her face by Robin Judkins
We've had lots of poetry responding to nature but poetry's other great theme has been absent. We put that right today with a love poem by Robin Judkins. A simple expression of love you might say, but listen right to the end and then say with confidence what happens next.
That will take a minute so your hands will be sparkling. Today's reader is Visitor Host Tim Hobbs.
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And the animals shall inherit the earth
It’s been interesting observing how nature has quietly but very quickly reclaimed the earth since we have all gone into Covid-19 lockdown. My social media timelines have been peppered with images of animals wandering where humans can’t, boars roaming in Barcelona, peacocks in Dubai, deer in Japan and schools of tiny fish in the now clear waters of Venice to name a few. Related of course are the clearing skies around the world.
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To a child dancing in the wind by W B Yeats
Today our Business Administrator Jackie Heavey reads a poem by a compatriot of hers, William Butler Yeats, in which the innocence of childhood is envied.
Yes you can now go to the beach, but keep your distance and, of course, keep washing those hands.
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Spheres: An Online Video Project
Over the past few weeks, I have been working with fellow curator Nathan Pohio on an online video project that we’ve called Spheres. I’ve only recently joined the Gallery, so it’s been helpful to have something to focus on from home as well as a reason to be in touch with some interesting artists.