Collection
Ka Whawhai Tonu Mātou

Diane Prince Ka Whawhai Tonu Mātou

Diane Prince is a painter, weaver and installation artist who staunchly advocates for Māori rights, especially wāhine Māori. Ka Whawhai Tonu Mātou, meaning we will fight on, is based on her 2017 exhibition Cultural Incisions that included four judge’s wigs woven from muka, houhere, kuta and cotton with veils covering the face. In this series, Prince argues that the Aotearoa New Zealand legal system prioritises colonial ideas of justice, and she recalls how government policy and law were used to undermine and disadvantage Māori. Prince delivers a powerful political message with this work. Using kuta, a culturally significant wetland plant that is endangered, she reinforces the precious, fragile nature of our endemic flora.

wāhine Māori ~ Māori women

muka ~ prepared harakeke flax fibre

houhere ~ houi, hoheria, lacebark

kuta ~ tall spike sedge

He Kapuka Oneone – A Handful of Soil (from August 2024)

Collection
Eeling in the Ōtākaro

Francis Upritchard Eeling in the Ōtākaro

A sense of support and interconnectedness animates this work. It delighted Francis Upritchard to learn of two yōkai (or ‘strange apparitions’) from Japanese folklore known together as Ashinaga-Tenaga (Long Legs and Long Arms), ‘helper’ figures who symbolise harmonious working relationships. In her retelling, long-armed Tenaga-jin (手長人) sits on long-legged Ashinaga-jin’s (足長人) shoulders while they fish in deep water. Together, they do what they could never manage apart. They are tangled and bound by a pair of swimming tuna (eels) – like those living in the Ōtākaro Avon River that winds through Ōtautahi Christchurch.

(Dummies & Doppelgängers, 2 November 2024 – 23 March 2025)

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