Kā Kaupapa o te Wā
What’s On
Edith Collier: Early New Zealand Modernist
A rare opportunity to view the work of one of Aotearoa New Zealand’s most adventurous and experimental modernist artists.
Made in the Pacific: A Collection of Tāoga
A selection of Pacific tāoga from the Canterbury Museum in conversation with contemporary artworks that highlight the continued strength in culture and traditional art forms.
Mark Adams: A Survey | He Kohinga Whakaahua
A comprehensive survey spanning the artist's career.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Collection
Sydney Lough Thompson Lyttelton From The Bridle Path (Sketch)
Sydney Lough Thompson’s Ōhinehou Lyttelton is a celebratory and officially endorsed view, the port bathed in a warm light signifying perhaps an emerging optimism as the country sees its way out of the Depression. In 1936 Thompson had completed a similar work for the Wellington Harbour Board, commissioned for presentation to the newly opened National Art Gallery and Dominion Museum. Buoyed by this success, he proposed to the Lyttelton Harbour Board that they commission this second large work to present to the new Robert McDougall Art Gallery, this Gallery’s predecessor. As The Press reported, it was to be “of a size not less than 4ft by 3ft and not more than 5ft by 4ft, for a fee of 200 guineas”.
From Here on the Ground (18 May – 17 November 2024)
