Kā Kaupapa o te Wā
What’s On
Edith Collier: Early New Zealand Modernist
A rare opportunity to view the work of one of Aotearoa New Zealand’s most adventurous and experimental modernist artists.
Made in the Pacific: A Collection of Tāoga
A selection of Pacific tāoga from the Canterbury Museum in conversation with contemporary artworks that highlight the continued strength in culture and traditional art forms.
Mark Adams: A Survey | He Kohinga Whakaahua
A comprehensive survey spanning the artist's career.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Collection
Robin White The Food Is Very Delicious
In the collection exhibition ‘Brought to Light’, a selection of prints by Italian engraver Teodoro Viero were juxtaposed with prints by contemporary New Zealand artist Robin White to offer two views of the Pacific, from two centuries apart. In her set of prints, White offers a kind of diary of her life on the coral island Tarawa in the Republic of Kiribati, where she moved in 1982 to work with the island’s Bahá'í community. With limited space and access to art materials, White chose the robust and portable woodblock medium. 28 Days in Kiribati responds to a visit to Kiribati by White’s friend and fellow artist Claudia Pond-Eyley and her daughter Brigid. (Brought to Light, November 2009)
Collection
Robin White The Clam
In the collection exhibition ‘Brought to Light’, a selection of prints by Italian engraver Teodoro Viero were juxtaposed with prints by contemporary New Zealand artist Robin White to offer two views of the Pacific, from two centuries apart. In her set of prints, White offers a kind of diary of her life on the coral island Tarawa in the Republic of Kiribati, where she moved in 1982 to work with the island’s Bahá'í community. With limited space and access to art materials, White chose the robust and portable woodblock medium. 28 Days in Kiribati responds to a visit to Kiribati by White’s friend and fellow artist Claudia Pond-Eyley and her daughter Brigid. (Brought to Light, November 2009)
Collection
Robin White Brigid Is Holding A Nautilus
In the collection exhibition ‘Brought to Light’, a selection of prints by Italian engraver Teodoro Viero were juxtaposed with prints by contemporary New Zealand artist Robin White to offer two views of the Pacific, from two centuries apart. In her set of prints, White offers a kind of diary of her life on the coral island Tarawa in the Republic of Kiribati, where she moved in 1982 to work with the island’s Bahá'í community. With limited space and access to art materials, White chose the robust and portable woodblock medium. 28 Days in Kiribati responds to a visit to Kiribati by White’s friend and fellow artist Claudia Pond-Eyley and her daughter Brigid. (Brought to Light, November 2009)
Collection
Colin Wheeler Farmstead at Wanaka
The building is the killing house and skin shed on Glendu Station, near Wanaka. The scene looks north-east with Mt Burke on the horizon and, in front of that, The Peninsula.
We are grateful to Jo Wilton of the Upper Clutha Historical Society for this information.
