Collection
Iron Tulips 3

Christine Webster Iron Tulips 3

Christine Webster uses photography to explore ideas about gender, sexuality, representation and identity. Her carefully staged works subvert expectations about power and control. Here, a woman stands on a balcony with a bouquet of flowers. On paper, it’s a conventional romantic image that affirms traditional associations between femininity and beauty. These metal ‘tulips’, however, resemble a quiver of arrows, and the figure is deliberately androgynous, playing with our certainty about what we see. It’s a reminder that the female body – often linked, like flowers, with beauty and pleasure – is also a source of strength, and sometimes danger. (Perilous: Unheard Stories from the Collection, 6 August 2022- 21 July 2024)

Collection
Iron Tulips 2

Christine Webster Iron Tulips 2

Christine Webster uses photography to explore ideas about gender, sexuality, representation and identity. Her carefully staged works subvert expectations about power and control. Here, a woman stands on a balcony with a bouquet of flowers. On paper, it’s a conventional romantic image that affirms traditional associations between femininity and beauty. These metal ‘tulips’, however, resemble a quiver of arrows, and the figure is deliberately androgynous, playing with our certainty about what we see. It’s a reminder that the female body – often linked, like flowers, with beauty and pleasure – is also a source of strength, and sometimes danger.

(Perilous: Unheard Stories from the Collection, 6 August 2022- 21 July 2024)

Collection
Iron Tulips 1

Christine Webster Iron Tulips 1

Christine Webster uses photography to explore ideas about gender, sexuality, representation and identity. Her carefully staged works subvert expectations about power and control. Here, a woman stands on a balcony with a bouquet of flowers. On paper, it’s a conventional romantic image that affirms traditional associations between femininity and beauty. These metal ‘tulips’, however, resemble a quiver of arrows, and the figure is deliberately androgynous, playing with our certainty about what we see. It’s a reminder that the female body – often linked, like flowers, with beauty and pleasure – is also a source of strength, and sometimes danger.

(Perilous: Unheard Stories from the Collection, 6 August 2022- 21 July 2024)

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