Kā Kaupapa o te Wā
What’s On
Raymond McIntyre: A Modernist View
Dynamic and progressive paintings and woodcuts from one of Aotearoa’s New Zealand foremost modernist artists.
Living Archives
Archives that tell stories about artists and history in Aotearoa
Whāia te Taniwha
Māori artists consider the enduring relevance of taniwha in Aotearoa.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Collection
Ronnie van Hout Quasi IV
Ronnie van Hout relishes the first-person plural. Versions of the artist – some credible, some more unhinged – show up regularly throughout his practice. Almost-Ronnies revisit his childhood, filter his experiences of the art world and act out darkly funny imaginings. The fun-sized effigies here are the smaller, more mobile offspring of Quasi, the giant, disembodied face-in-a-hand that loomed from the rooftop of this building in 2016. Whereas the original had a mournful malevolence, these more rambunctious homunculi seem cloned in the service of mischief and mayhem.
(Dummies & Doppelgängers, 2 November 2024 – 23 March 2025)
Collection
Ronnie van Hout Quasi III
Ronnie van Hout relishes the first-person plural. Versions of the artist – some credible, some more unhinged – show up regularly throughout his practice. Almost-Ronnies revisit his childhood, filter his experiences of the art world and act out darkly funny imaginings. The fun-sized effigies here are the smaller, more mobile offspring of Quasi, the giant, disembodied face-in-a-hand that loomed from the rooftop of this building in 2016. Whereas the original had a mournful malevolence, these more rambunctious homunculi seem cloned in the service of mischief and mayhem.
(Dummies & Doppelgängers, 2 November 2024 – 23 March 2025)
Collection
Ronnie van Hout Quasi II
Ronnie van Hout relishes the first-person plural. Versions of the artist – some credible, some more unhinged – show up regularly throughout his practice. Almost-Ronnies revisit his childhood, filter his experiences of the art world and act out darkly funny imaginings. The fun-sized effigies here are the smaller, more mobile offspring of Quasi, the giant, disembodied face-in-a-hand that loomed from the rooftop of this building in 2016. Whereas the original had a mournful malevolence, these more rambunctious homunculi seem cloned in the service of mischief and mayhem.
(Dummies & Doppelgängers, 2 November 2024 – 23 March 2025)
Collection
Ronnie van Hout Quasi I
Ronnie van Hout relishes the first-person plural. Versions of the artist – some credible, some more unhinged – show up regularly throughout his practice. Almost-Ronnies revisit his childhood, filter his experiences of the art world and act out darkly funny imaginings. The fun-sized effigies here are the smaller, more mobile offspring of Quasi, the giant, disembodied face-in-a-hand that loomed from the rooftop of this building in 2016. Whereas the original had a mournful malevolence, these more rambunctious homunculi seem cloned in the service of mischief and mayhem.
(Dummies & Doppelgängers, 2 November 2024 – 23 March 2025)
Exhibition
Jeffrey Harris: The Gift
An exhibition of paintings and drawings by one of Aotearoa New Zealand’s most celebrated painters.
Exhibition
Cheryl Lucas: Shaped by Schist and Scoria
Seductive surfaces and tough issues – these are ceramics made for the eyes and mind.
