Notes
Director’s Update

Director’s Update

With a welcome shift back to Level 2 in our collective fight against COVID-19, we are delighted to reopen our doors to visitors.

Notes
Update from director Blair Jackson

Update from director Blair Jackson

Kia ora koutou. Hello.

I want to let our supporters and art lovers know what we are doing in these difficult times, and how you can still find moments of relief and escape through art. Like much of the world, Christchurch Art Gallery Te Puna o Waiwhetū is temporarily closed to our visitors and our staff. Like many of you are experiencing in your own lives, we’ve needed to figure out new ways of working, staying connected as a team, and working out what we can offer and ways that might help us to engage, inspire and connect you with great art and ideas.

My Favourite
Jason Greig's Vulcan Paradise

Jason Greig's Vulcan Paradise

I’ve had a quiet fascination with Jason Greig’s work ever since I was a Year 13 student hanging about Burnside High’s art block (which, granted, wasn’t that long ago). My then printmaking teacher, Nichola Shanley, is a good friend of Jason’s and managed to get him along to one of our classes.

Artist Profile
A Lifelong Affair

A Lifelong Affair

It may have been Rachel Hodgkins’ assertion during her daughters’ childhood in Dunedin that Isabel would be the painter in the family that drew out the stubborn streak in her younger daughter Frances. And indeed, as the fates were to prove, Isabel, once married, had to put aside her brushes for the most part to care for her family, while Frances, rather than making her way as a piano teacher as her mother had intended, chose a different course. Spurred on by her Italian tutor Girolamo Nerli’s descriptions of the bohemian life in Europe and the artistic revolution taking place in certain quarters, she set out for Europe, determined to prove her family’s assumptions wrong.

Commentary
RE: UNCOMFORTABLE SILENCE

RE: UNCOMFORTABLE SILENCE

In a recent essay Zadie Smith wrote of language as a “verbal container” – like all containers it allows the emergence of some ideas while limiting the possibility of others. The words and terms we choose, or those which are offered to us, “behave as containers for our ideas, necessarily shaping and determining the form of what it is we think, or think we think.” She is discussing writing fiction, defending the right to, and value of, drifting into other imagined bodies and taking a good look around, regardless of their likeness to our own biographical specifics. It is an uncomfortable position to hold in a cultural climate where, Smith argues, “the old – and never especially helpful – adage write what you know has morphed into something more like a threat: Stay in your lane.”

Commentary
Wellcome to Māoriland

Wellcome to Māoriland

London’s Wellcome Collection was founded by Sir Henry Solomon Wellcome (1853–1936) in the year he died. An incredibly successful US-born, British pharmaceutical entrepreneur, Wellcome had a penchant for collecting medical and health-related artefacts, which formed the basis of the Collection. He didn’t restrict himself to the more obvious examples of early medical technology, however, but also collected in the area of folk remedies and indigenous cultural objects, which were largely acquired through London auction houses. Browsing the Wellcome Collection’s online catalogue, Aotearoa New Zealand photographer Fiona Pardington (Kāi Tahu, Kāti Mamoe, Ngāti Kahungunu, Clan Cameron) encountered what at first glance looked to be a number of heitiki; however, on closer inspection they did not seem quite right.

Commentary
Caveat Collectors

Caveat Collectors

Extinction has claimed nearly fifty per cent of Aotearoa New Zealand’s bird species over the past 650 years. The persistent myth has it that European settlement in the nineteenth century swept away a pristine past. And most obviously, because we know their names and can catalogue (literally) their infamy, that story includes the professional bird collectors as the cause of those extinctions.

Notes
New Lead Curator Announced

New Lead Curator Announced

Christchurch Art Gallery Te Puna o Waiwhetū is delighted to announce the appointment of our new lead curator, Felicity Milburn.

Notes
Cosmo has a new friend

Cosmo has a new friend

This is a new pal for our Cosmo McMurtry. It was made by Laura who's 11 and lives in Auckland. Ka pai, Laura!