Exhibition

Wheriko - Brilliant!

Artists play with shadow and light, transforming the familiar into the extraordinary.

Exhibition

We Do This

A recharged contemporary hang to mark 125 years of women’s suffrage.

Notes
Portobello Settee by Jacqueline Fahey

Portobello Settee by Jacqueline Fahey

This article first appeared in The Press on 19 January 2018 as 'A settee with hidden depths'.

Exhibition

Juliet Peter: Where the Line Leads

Delightful observations of character and place, from rural Canterbury to bustling 1950s London.

Notes
Continuous positive I by Shannon Williamson

Continuous positive I by Shannon Williamson

This article first appeared as 'A delicate look at how the body works' in The Press on 27 November 2017.

Exhibition

Jacqueline Fahey: Say Something!

Overflowing with love, conflict and quiet despair, Fahey’s paintings from the 1970s bristle with the intensity of domestic life.

Exhibition

Closer: Old Favourites, New Stories

New perspectives on ten of the Gallery’s best-loved paintings.

Notes
Untitled [Quentin (Kin) Woollaston Shearing] by Sir Toss Woollaston

Untitled [Quentin (Kin) Woollaston Shearing] by Sir Toss Woollaston

This article first appeared as 'The fine juggling act to create his artwork' in The Press on 8 June 2017.

Exhibition

Natalia Saegusa: Tomorrow Still Comes/He Rā Anō Ki Tua

A fragmented and poetic wall painting by Natalia Saegusa (in collaboration with Corban Te Aika and Isla Reeves Martin).

Artist Profile
Wayne Youle: Look Mum No Hands

Wayne Youle: Look Mum No Hands

He’s been called a cultural prankster, an agent provocateur and a bullshit artist (that last description came from his dad, but it was bestowed – he’s pretty sure – with love). While we’re at it, add ‘serial pun merchant’ to that list; in art, as in conversation, Wayne Youle can spot a good one-liner a mile off and has never knowingly left an entendre undoubled.

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