Notes
Artists in Crime

Artists in Crime

That was the title the great Christchurch-born mystery writer Ngaio Marsh gave to a novel published in 1938, one of 32 whodunnits penned during her career.

Notes
Good things come in cardboard boxes

Good things come in cardboard boxes

As regular Bunker Notes readers will know, here at CAG we have some form when it comes to receivng mysterious parcels.

Notes
Devilled sausages

Devilled sausages

The spirit of weirdly enigmatic protest art lives on. (Maybe.)

Exhibition

Georgie Hill and Zina Swanson: Breathing space

Strength, fragility and connection are at the heart of the second Rolling Maul exhibition, which features works by Georgie Hill and Zina Swanson.

Notes
Four feet good, four feet and a long tail just kinda creepy...

Four feet good, four feet and a long tail just kinda creepy...

I see that Australia's national maritime museum has just opened an exhibition entitled Fish in Australian Art.

Notes
In praise of artistic licence

In praise of artistic licence

They say art imitates life. Sometimes it improves on it.

Notes
Your choice

Your choice

In literature as in love, we are astonished at what is chosen by others.

Notes
(Almost) ready to Roll...

(Almost) ready to Roll...

We're getting that feeling again...

Exhibition

Sam Harrison: Render

Presenting new art from Christchurch, our Rolling Maul project series begins with a remarkable exhibition of sculptures by Sam Harrison.

Interview
Rolling Maul

Rolling Maul

A lot of water, and Lord only knows what else, has flowed under the bridge since Justin Paton and I first hatched our plans for a fast-paced, post-quake showing of new work by local artists. Rolling Maul, so far, has been quite the antithesis of 'fast-paced', and despite our best efforts, it is yet to roll anywhere – rather it has been beset by the same delays, cancellations and frustrations as all of the Gallery's other in-house plans.

Our original concept, as outlined in B.165, was based around the use of one of Christchurch Art Gallery's ground-floor exhibition spaces, which we hoped to reoccupy as soon as they were no longer required as part of the City Council/CERA earthquake response. But as we are now only too aware, we won't be showing anything there any time soon.

 

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