Exhibition

I seem to have temporarily misplaced my sense of humour

Stretching across a vast wall at the gateway to Sydenham, Wayne Youle's new public artwork is a shadowboard, where tools for rebuilding hang alongside many familiar but precious objects.

Notes
Must try harder

Must try harder

Sometimes I wonder about the blurbs we public gallery types pin to our exhibitions.

Notes
Wallpower

Wallpower

What's that weird sensation? Faint, but growing stronger. A stretching, tingling, anticipatory sort of feeling. Familiar but hard to name. After all this time, it couldn't be, surely? But yes (nervously touches wood), it really does seem to be true... It's that getting-ready-to-make-a-show feeling. People, we are about to present some art.

Notes
Wrong way in

Wrong way in

Impossible not to feel disappointed by news yesterday about a huge new sculptural gateway for Christchurch.

Article
Here and Gone

Here and Gone

In the last issue of Bulletin, senior curator Justin Paton wrote about the way the Christchurch earthquakes 'gazumped' the exhibitions on display at the Gallery – overshadowing them and shifting their meanings. In this issue, with the Gallery still closed to the public, he considers the place of art in the wider post-quake city – and discovers a monument in an unlikely place.

Notes
Roger's version

Roger's version

When Roger Boyce's one-hundred work series called The Illustrated History of Painting went on show at Christchurch Art Gallery last year (and served momentarily as a base for high-level pow-wows amongst Brownlee, Key and other members of the quakestocracy), plenty of people noted that the series could become a great book.

Notes
The kind of 'liquefaction' we love

The kind of 'liquefaction' we love

Painter Tjalling de Vries dispenses some of the good goo in his Christchurch studio. For more of the runny stuff, see the Rolling Maul feature in our new Bulletin.

Notes
Chocker

Chocker

In the first few published critical responses, there's been a bit of talk about how much art has been packed into the impressive spaces of the new Auckland Art Gallery.

Notes
Infinite Gesture

Infinite Gesture

"Tradition is not reproduced. It is thrown and caught. It lives a long time in the air."

Notes
What I'd like to steal from the AAG

What I'd like to steal from the AAG

There's a whole lot of new exhibition space in the just reopened Auckland Art Gallery, and a whole lot of art hung (and sometimes shoehorned) inside it. But if the two small rooms containing the promised gift of Julian and Josie Robertson were the only spaces to see, a trip to Auckland in the near future would still be compulsory.

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