Kā Kaupapa o te Wā
What’s On
Tīrama Mai 2025
Tīrama Mai is back this winter to celebrate Puanga Matariki with an array of artistic lighting and cultural displays in the heart of Ōtautahi Christchurch.
Disruptive Landscapes: Contemporary Art from Japan
Quietly powerful and immersive video works revealing the politics behind our view of landscape.
John Vea: Ini Mini Mani Mou
Powerful new work examining the complexities of the immigration process in Aotearoa New Zealand.
E tuwhera ana te wharetoi i kā rā e 7 o te wiki, 10am - 5pm
Ka tuwhera ki te 9pm i kā pō Wenerei
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Uruka utukore, ahokore utukore
Free entry, free wifi
Notes
Innocence by Evelyn Haig
This article first appeared as 'Sweet portrait belies tough protestor's tragic tale' in The Press on 24 May 2016.
Notes
'The Reid Children Aggie, Constance, Stewart, Douglas, Egerton by John Horsburgh
This article first appeared as 'Mystery of portrait' in The Press, 9 March 2016.
Notes
Martin Creed
We were delighted to have Martin Creed in town last Sunday - talking, singing, playing the guitar...
Notes
A page from Eunuchi by Badius and Trechsel
This article first appeared as 'From scrap to centre stage' in The Press on 8 September 2015.
Article
Reflections on riches
While the Gallery may be closed, our archive collections continue to develop. As I write, three aspects of managing an archive are happening simultaneously. We are adding new material, cataloguing it, and assisting a researcher to use the archive. All the challenges and pleasures of archive management are on the table.
Notes
Te Wiki o te reo Māori
Curator Nathan Pohio has been asking Māori artists how te reo affects them and their work
Notes
Frontispiece to 'Fables amusantes' by Tobias Miller
This article first appeared in The Press as 'Not so handsome prints with royal stories to tell' on 30 June 2015
Notes
La promenade publique by Philibert-Louis Debucourt
This article first appeared as 'Aristocrats at play' in The Press on 14 April 2015.
Notes
Major Major
The line between the fine and applied arts is, it hardly needs saying, a blurred one