재클린 파히의 소파세트
재클린 파히의 소파세트
Related reading: Covid-19
Collection
Jacqueline Fahey The Portobello Settee
“I think a lot of painters of my era have a hangover from art school days. If you could pull a painting off without a pause – no having to backtrack, no laborious re-worked areas, no long delays to work out the next move – all of it effortless, then you inspired the admiration of the other students. I think it was a sort of sympathetic magic: if the artist enjoyed painting it so much then people must enjoy looking at it as much […] This painting belongs with that kind of response – it just went like a bird. I felt certain of my vision, certain I could endow my humble objects with mana because for a while they were totally beautiful to me. My need to record was intense, innocent and certain. No intellectual calculations crept in to cloud my vision. It was pleasure all the way through. I know this is a form of art snobbery. I know I have done other paintings equally good which arrived agonizingly slowly, calculated every inch of the way and very like a game of chess in the thinking out of each move. However, The Portobello Settee is my choice, I suppose because we don’t escape our old values easily”– Jacqueline Fahey in Say Something, Christchurch Art Gallery Te Puna o Waiwhetū, 2017
(Perilous: Unheard Stories from the Collection, 6 August 2022- )
Exhibition
Jacqueline Fahey: Say Something!
22 November 2017 – 11 March 2018
Overflowing with love, conflict and quiet despair, Fahey’s paintings from the 1970s bristle with the intensity of domestic life.
Notes
Director’s Update
With a welcome shift back to Level 2 in our collective fight against COVID-19, we are delighted to reopen our doors to visitors.
Notes
Bringing up the rear
We finish our handwashing poems with R A K Mason's Song of Allegiance, read, as was the Keats sonnet that started this series, by me.
Notes
House Rules by Joanna Margaret Paul
We are delighted to present Joanna Margaret Paul's House Rules, read by its creator's daughter Magdalena Harris. Dishwasher tension will, we are sure, be familiar to all.
The poet also created the painting you see, which is called Barrys Bay: Interior with Bed and Doll.
And although it's a day after Mother's Day, let's today salute all mothers and their efforts, especially over the last few weeks.
Notes
Running Water by Robyn Hyde
We don't want the poems to stop but dare we hope we are inching closer to re-opening? In the interests of playing it safe, let's keep washing our hands though, today with Visitor Host Dora Mullins and some exquisitely sad lines from Robin Hyde.
Notes
Cat in the Dark by Margaret Mahy
A beautiful poem today by Margaret Mahy, beautifully read by 10 year old Elsie Billington.
A minute of pure handwashing pleasure.
Notes
A Calm Day by Basil Dowling
Today our Graphic Designer Peter Bray reads about the sound of the ocean when the wind dies down. Only Basil Dowling puts it lot better than that in A Calm Day.
Notes
I saw her face by Robin Judkins
We've had lots of poetry responding to nature but poetry's other great theme has been absent. We put that right today with a love poem by Robin Judkins. A simple expression of love you might say, but listen right to the end and then say with confidence what happens next.
That will take a minute so your hands will be sparkling. Today's reader is Visitor Host Tim Hobbs.
Notes
And the animals shall inherit the earth
It’s been interesting observing how nature has quietly but very quickly reclaimed the earth since we have all gone into Covid-19 lockdown. My social media timelines have been peppered with images of animals wandering where humans can’t, boars roaming in Barcelona, peacocks in Dubai, deer in Japan and schools of tiny fish in the now clear waters of Venice to name a few. Related of course are the clearing skies around the world.
Notes
To a child dancing in the wind by W B Yeats
Today our Business Administrator Jackie Heavey reads a poem by a compatriot of hers, William Butler Yeats, in which the innocence of childhood is envied.
Yes you can now go to the beach, but keep your distance and, of course, keep washing those hands.
Notes
Spheres: An Online Video Project
Over the past few weeks, I have been working with fellow curator Nathan Pohio on an online video project that we’ve called Spheres. I’ve only recently joined the Gallery, so it’s been helpful to have something to focus on from home as well as a reason to be in touch with some interesting artists.