Lead curator Felicity Milburn reads the poem Prepare by Ursula Bethell

Visitor Host Deborah Hyde reads The Moon by Robert Louis Stevenson. The painting by Sir Alfred East was, Deborah reports, the first painting she saw when she began working at the Gallery back in 2003. Stevenson is of course not a New Zealand poet but he did come here briefly in 1890. The exertions of a morning's shopping in Auckland apparently rendered him prostrate for the rest of his stay here.

We heard yesterday that isolation requirements will be very slightly eased next week. But for now and, in the future, scrupulous hand-washing remains important. Think of the moon while washing yours.

While our Frances Hodgkins exhibition remains closed, let's hear Mary Kisler, its curator, reading a poem about one of the works that is in it.

First published as an occasional piece in Parson's Packet, the magazine published by Wellington bookseller Roy Parsons, it passes a savage commentary on the rejection of Pleasure Garden. It appeared in Fairburn's Collected Poems with this dry observation: 

The Art Gallery Committee of the Christchurch City Council rejected 'The Pleasure Garden', by Frances Hodgkins, on the advice of three experts. (It was later bought by public subscription and now hangs, without much civic honour, in the McDougall Gallery.)

Well it now hangs in our gallery with considerable honour but with the lights off and no visitors to see it. We long for this to change and continued hand-washing will hasten that happening.

This gorgeous painting In the Orchard is by British artist Lucy Kemp-Welch, who was famous for her incredible paintings of horses. She also became known as 'the artist who painted Black Beauty'. Have you heard of or read the book Black Beauty? It's a story by Anna Sewell about a beautiful black horse.

This fantastical guardian creature sits on top of the north tower of Notre Dame cathedral in Paris. Some say it's a ghoul and others a vampire. Whatever it is, it looks a bit cheeky with its tongue poking out!

This screenprint by Eileen Mayo is of Cuningham House, the big glass house in the Christchurch Botanic Gardens. The building is kept warm all year so that the plants inside stay healthy and grow well. Have you been there? What sort of plants did you see?

Usually on a Friday morning, our team would be enjoying some whanaungatanga at waiata practice. We’re missing seeing each other and singing together, so today's poem is the karakia Whakataka Te Hau, which doubles as one of our favourite waiata – a perfect way to start the day. Kia pai ō rā e te whanau.

In March 1943 Rita Angus spent several weeks staying at a friend’s family bach in the small settlement of Wainui in Akaroa Harbour, a refuge in the midst of World War II. It was here that she produced some of her most accomplished watercolours, small gems where the landscape is so delicately defined it’s as if she painted them whilst looking through a telescope. There are five known watercolours of Wainui and the surrounding Akaroa Harbour from this period and the Gallery is fortunate to hold four of them.

Melanie Oliver is our new curator. It's obviously pretty hard to introduce her properly when we're in lockdown, so we asked Gallery staff to each ask her a question so you could get to know her. 

You are invited to take part in Blue Globe: Stories from Christchurch Art Gallery Te Puna o Waiwhetū. It’s a chance to feed your curiosity, feel inspired and challenge your creative side. And it’s easy. All you have to do is choose any artwork from the Gallery’s collection online and create a short piece of writing inspired by it.