Max Gimblett

Aotearoa New Zealand, b.1935

For Len Lye - Radical Particles

1978
Sumi ink / Strathmore Aquarius Watercolour, Machine Made Cotton and Synthetic Paper. USA
The Max Gimblett and Barbara Kirshenblatt-Gimblett Gift
762 x 559mm
2011/073

Tags: abstraction, monochrome, quatrefoils

Related reading: Len Lye

Love Len Lye

I've always been a fan of Len Lye's work so it was a treat to see his kinetic sculpture on display in Len Lye: Kaleidoscope at the City Gallery when I passed through Wellington last week.

I’ve never actually seen the Mona Lisa, and it’s a fair bet that most people reading this article haven’t either. Yet, according to Wikipedia, the painting is ‘the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world’. So how to account for the fame of an artwork we haven’t seen? And what have reproductions of Da Vinci’s sixteenth-century portrait got to teach us about time-based art and the online environment in 2015?

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Article

Some notes on movement in art

Hanging from the ceiling in my infant son's room is a mobile. At rest, he seems to scarcely notice its suspended figures, but a quick breath brings them to life and, drawn to their gentle twirling, his face brightens and body tenses with a laugh.

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