There’s a timelessness to Laurence Aberhart’s photography, a quality that he calls “adriftness”. Though his images are contemporary, they bear a great weight of history – a product both of the century-old 8x10 camera he uses, and his interest in subjects that reveal the persistence of the past in the present: graveyards, outmoded architecture, abandoned shops.

(Now, Then, Next: Time and the Contemporary, 15 June 2019 – 8 March 2020)