Collection
A Shot in the Dark (Bear Rug)

Steve Carr A Shot in the Dark (Bear Rug)

Apparently testing the limits of incorrectness, Auckland-based multimedia artist Steve Carr commissioned a skilled woodcarver to realise his highly improbable carved bearskin rug.

Bearskin rugs during the Victorian and Edwardian era craze for taxidermy were almost a standard feature in British country houses, typically in a gentleman’s trophy room or study. They came to symbolise wild nature and distant lands, ultimately tamed. Carr’s project, however, has little to do with tameness, either in conception or in its surprisingly lifelike growling effect

(Beasts, 2015)

Notes
My Sister My Self by Michael Parekowhai

My Sister My Self by Michael Parekowhai

This article first appeared with the headline Top-stair sculpture in The Press on 30 April 2008.

If you've done your first year art history, you're probably familiar with the story of How Sculpture Fell from Grace.

Notes
Cats in the Trees by Eileen Mayo

Cats in the Trees by Eileen Mayo

The pair of domestic tigers slink slyly across the surface of the paper, prowling through the branches of a suburban tree, dispatching terror throughout the bird world and trepidation into the lives of assorted dogs.

Notes
Povi Christkeke by Michel Tuffery

Povi Christkeke by Michel Tuffery

Povi Christkeke (Christchurch Bull), a large bullock constructed from flattened and riveted re-cycled corned beef tins, is a colourful and seemingly celebratory sculpture. Artist Michel Tuffery constructed two of these corned beef bull sculptures for a ritual performance entitled Pisupo Lua Afe at the 1997 Christchurch Arts Festival. Pisupo Lua Afe was also included at the inaugural Asia Pacific Triennial of Contemporary Art in Brisbane 1993.