What’s On
Xoë Hall: Kuīni of the Worlds
A wild new mural from Kāi Tahu artist Xoë Hall celebrating atua wāhine.
Alicia Frankovich: Atlas of Anti-Taxonomies
An installation de-categorising the world to reveal the wild disorder of nature.
The Moon and the Manor House
Aestheticism, Arts and Crafts, and the avid pursuit of beauty.
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Free entry, free wifi
Robyn Maree Pickens
Commentary
Crunchify Object
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G[i,j]= network connectivity matrix.
Culled from the image search “algorithms”, it is unlikely that the unconnected fragments of code above could manifest an output, but I cannot be entirely sure.
Commentary
Representing Women: Ann Shelton’s Dark Matter
What is ‘dark matter’? For theoretical physicists it is matter that cannot be directly observed but whose existence is nevertheless scientifically calculable – productively present yet simultaneously invisible. In a similar vein, the everyday phrase ‘dark matter’ describes objects, conditions and situations that harbour unease or trauma. Trauma that is often concealed, repressed, or buried. Both definitions are active in Ann Shelton’s mid-career review exhibition Dark Matter, and they provide a rich point of entry into this compelling collection of her photographic work. These are photographs that bristle with intensity and refuse to let their subjects die a quiet archival death.