Olivia Spencer Bower
England / Aotearoa New Zealand, b.1905, d.1982
La Piccola Marina, Capri
- 1931
- Pencil/watercolour
- Presented by the Canterbury Society of Arts, 1932
- 645 x 465mm
- 69/40
- View on google maps
Location: Ravenscar Gallery
Tags: animals, birds (animals), boats, buildings (structures), rock, roofs, seas, shores (landforms)
Young New Zealanders such as Olivia Spencer Bower were often welcomed by established expatriate Aotearoa New Zealand artists when they travelled to Europe. Spencer Bower spent time with both Sydney Lough Thompson in France and Eleanor Hughes in England between 1929 and 1931. In early 1931 she set off from England for the island of Capri, where she met her friend Mary Hogg, and they shared a room overlooking La Piccola Marina. Spencer Bower’s biographer, Julie King, noted “Olivia was charmed by the island: the sketches and paintings she completed there, and the photographs she took, reveal her immense delight in the environment.”
(Timeless: Treasures from the Historical Collection 19 September 2026 – 30 May 2027)
Exhibition History
Brought to light, November 2009- 22 February 2011
Olivia Spencer Bower spent 1929 to 1931 based in England, where she studied at the Slade School of Fine Art under the formidable Henry Tonks, whose pupils included Spencer Gore, Augustus John, Wyndham Lewis and Stanley Spencer. She travelled extensively throughout Britain as well as France and Italy, sketching and visiting art museums. Spencer Bower was based at Capri during February, 1931 where she sketched every day. Her return to New Zealand later that year was a disappointment: ‘Here I was, back from England with my pretty clothes and self confidence I hadn’t had before, and I was incarcerated in the Slump.’
In February 1931 Olivia Spencer Bower spent a month sketching and painting in Capri with a friend and fellow student from the Slade School of Art in London. There she started a number of works based on the beach and foreshore.
This painting has a decorative, stylised feel to it, with the emphasis on the forms. It also shows Spencer Bower’s early ability and success in watercolour. The vibrancy of the colour is achieved by the application of usually just one, perfectly judged, wash to each area.
Born in England, Spencer Bower was the daughter of the New Zealnd artist Rosa Spencer Bower. The family came to New Zealand in 1919. Olivia studied at the Canterbury College School of Art and the Slade in London in 1929. In 1931 she returned to New Zealand. She devoted her life to painting and, late in her life, established a Foundation which finances an annual scholarship enabling an artist to work fulltime for one year.
(Watercolour rotation, 2005)