Notes

Notes
Theatre Beautiful

Theatre Beautiful

One thing I’m really looking forward to when life returns to a new sense of normality in a post-Covid19 world is visiting a movie theatre – a treat I’ve taken for granted until a couple of weeks ago. In Theatre Beautiful, Dunedin artist Harry Vye Miller captures the bustling busy interior of Dunedin’s Regent Theatre which opened in the city’s Octagon in 1928. Miller enjoyed this theatre and is known to have attended the opening night. The building thankfully remains fully intact and is one of the gems of Dunedin’s architectural heritage.

Notes
Te Wheke: Pathways Across Oceania

Te Wheke: Pathways Across Oceania

Welcome – nau mai haere mai. Kei Te Ararau o Tangaroa / Pathways Across Oceania is an attempt to understand the Gallery’s collection from the perspective of our place in Te Moana-nui-a-Kiwa, the Pacific Ocean. Full of stories of migration, connection and belonging, this huge new exhibition reflects the connections and tensions that shape our past, present and future.

Notes
Hawaiki Tautau Atu, Hawaiki Tautau Mai / A Distance Draws Near

Hawaiki Tautau Atu, Hawaiki Tautau Mai / A Distance Draws Near

Hawaiki is the ancient homeland of Polynesian people who navigated the seas in double-hulled waka from Rarotonga, Tahiti and Ra’iātea to the islands of the Pacific Ocean, including Aotearoa New Zealand.

Notes
Ātea

Ātea

In te ao Māori, the state of a space when cleared of obstruction is called ātea. This concept was brought to Aotearoa New Zealand from the islands of Te Moana-nui-a-Kiwa / the Pacific Ocean by Polynesian ancestors.

Notes
Kanohi Ki Te Kanohi / Face To Face

Kanohi Ki Te Kanohi / Face To Face

In te ao Māori, portraiture can encompass rangatiratanga (stewardship), whanaungatanga (kinship or connectedness), manaakitanga (kindness towards others) and whakapapa (ancestral genealogy). A sense of wairua (the spirit of a person) also resonates within these treasured portraits.

Notes
Ko Enei Tauira Ataahua / These Beautiful Patterns

Ko Enei Tauira Ataahua / These Beautiful Patterns

From a present-day perspective, the appropriation of customary Māori art forms and practice by Pākehā artists can be disconcerting, a more-than-awkward crossing of cultural lines. 

Notes
I Tawhiti Ra Ano / From Distant Shores

I Tawhiti Ra Ano / From Distant Shores

The islands of Te Moana-nui-a-Kiwa / the Pacific were settled by remarkable ocean voyagers over many thousands of years. Aotearoa New Zealand was peopled through major waves of migration from the 1200s and later the mid-1800s. The seas of Oceania are like vast pathways; ever-present reminders of distant shores.

Notes
He Ara / Pathways

He Ara / Pathways

Aotearoa New Zealand is part of a submerged Pacific continent, which broke away from the Gondwana supercontinent millions of years ago to create two major islands – Te Ika a Māui / the North Island and Te Waipounamu / the South Island.

Notes
Puta Noa I Te Ao / In the World

Puta Noa I Te Ao / In the World

Artists from Aotearoa New Zealand are often well-travelled. Feeling the distance of Aotearoa from the world’s centres of art, they have often been drawn overseas to study and work, contributing to the art history of their adopted countries as well as this one.

Notes
He Toka Tū Moana

He Toka Tū Moana

The Māori whakataukī or proverb “He toka tū moana” uses the image of a rock that stands firmly in the ocean to describe someone steadfast and strong in their culture or beliefs, who defies all opposition.

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