Enlarging the circuit of nocturnal Populate! works (see also Steve Carr's Majo on Worcester Boulevard, Tony Oursler's flickering Incandescence on Madras Street, and the awesome Oursler gallery headbutt blogged by Felicity this morning), here's Ronnie's Comin' Down wearing its new nocturnal colours. Think holograms, night vision goggles, ectoplasm, little (or big) green men, and Martian beams descending from the big dark Canterbury skies. (Thanks Chris Pole for these photos.)