What’s On
Coming soon.
From Here on the Ground
Our Design Store is having a revamp!
The shop is closed instore and online while we’re getting a fresh new look. Visit us again from 9 May.
Exhibition closing soon.
Spring Time is Heart-break: Contemporary Art in Aotearoa
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Free entry, free wifi
Notes
Black Painting
Ralph Hotere's recognition as a Member of the Order of New Zealand in the New Year was a fitting tribute to an artist whose work has truly reflected social, political and environmental issues relating to New Zealand and the wider international community throughout his career.
Collection
Ralph Hotere Malady Panels
A poem by Bill Manhire was the inspiration for this series of paintings. It repeated the words ‘malady’, ‘melody’ and ‘my lady’ and the repetition, simplicity and strong emotion of the poem appealed to Ralph Hotere. ‘Melody’ and ‘malady’ come together in ‘my lady’, suggesting that deep-felt love can be both a sickness and a delight.
The fine circles in the paintings suggest the fragility of love, and their intense colour celebrates its beauty. Hotere made several works based on this poem during the early 1970s.
Hotere was born in Taikarawa, Northland, and was widely regarded as one of New Zealand’s greatest living artists. He is represented in public and private collections throughout New Zealand. He lived at Port Chalmers near Dunedin.
Collection
Ralph Hotere, Bill Culbert Pathway to the Sea - Aramoana
In te reo Māori, Aramoana means ‘pathway to the sea’. It’s also a small settlement on the Otago Peninsula, near where Ralph Hotere had his studio – and where Hotere and fellow artist Bill Culbert protested against the building of an aluminium smelter, which they were concerned would degrade the harbour. The two were great friends, and Culbert would return to Aotearoa New Zealand most years from his home in Europe (usually during Bluff oyster season) to collaborate on large-scale sculptural works with Hotere. This suite of lithographs extends the ideas of one of Hotere and Culbert’s earliest sculptural collaborations, also titled Pathway to the Sea – Aramoana. It features the glasses of wine they enjoyed together, the pāua shells and fluorescent tubes of the installation work, and questions about place and personal identity.
(Te Wheke, 2020)
Collection
Bill Culbert, Ralph Hotere Pathway to the Sea - Aramoana
In te reo Māori, Aramoana means ‘pathway to the sea’. It’s also a small settlement on the Otago Peninsula, near where Ralph Hotere had his studio – and where Hotere and fellow artist Bill Culbert protested against the building of an aluminium smelter, which they were concerned would degrade the harbour. The two were great friends, and Culbert would return to Aotearoa New Zealand most years from his home in Europe (usually during Bluff oyster season) to collaborate on large-scale sculptural works with Hotere. This suite of lithographs extends the ideas of one of Hotere and Culbert’s earliest sculptural collaborations, also titled Pathway to the Sea – Aramoana. It features the glasses of wine they enjoyed together, the pāua shells and fluorescent tubes of the installation work, and questions about place and personal identity.
(Te Wheke, 2020)
Collection
Ralph Hotere, Bill Culbert Pathway to the Sea - Aramoana
In te reo Māori, Aramoana means ‘pathway to the sea’. It’s also a small settlement on the Otago Peninsula, near where Ralph Hotere had his studio – and where Hotere and fellow artist Bill Culbert protested against the building of an aluminium smelter, which they were concerned would degrade the harbour. The two were great friends, and Culbert would return to Aotearoa New Zealand most years from his home in Europe (usually during Bluff oyster season) to collaborate on large-scale sculptural works with Hotere. This suite of lithographs extends the ideas of one of Hotere and Culbert’s earliest sculptural collaborations, also titled Pathway to the Sea – Aramoana. It features the glasses of wine they enjoyed together, the pāua shells and fluorescent tubes of the installation work, and questions about place and personal identity.
(Te Wheke, 2020)
Collection
Bill Culbert, Ralph Hotere Pathway to the Sea - Aramoana
In te reo Māori, Aramoana means ‘pathway to the sea’. It’s also a small settlement on the Otago Peninsula, near where Ralph Hotere had his studio – and where Hotere and fellow artist Bill Culbert protested against the building of an aluminium smelter, which they were concerned would degrade the harbour. The two were great friends, and Culbert would return to Aotearoa New Zealand most years from his home in Europe (usually during Bluff oyster season) to collaborate on large-scale sculptural works with Hotere. This suite of lithographs extends the ideas of one of Hotere and Culbert’s earliest sculptural collaborations, also titled Pathway to the Sea – Aramoana. It features the glasses of wine they enjoyed together, the pāua shells and fluorescent tubes of the installation work, and questions about place and personal identity.
(Te Wheke, 2020)
Collection
Ralph Hotere, Bill Culbert Pathway to the Sea - Aramoana
In te reo Māori, Aramoana means ‘pathway to the sea’. It’s also a small settlement on the Otago Peninsula, near where Ralph Hotere had his studio – and where Hotere and fellow artist Bill Culbert protested against the building of an aluminium smelter, which they were concerned would degrade the harbour. The two were great friends, and Culbert would return to Aotearoa New Zealand most years from his home in Europe (usually during Bluff oyster season) to collaborate on large-scale sculptural works with Hotere. This suite of lithographs extends the ideas of one of Hotere and Culbert’s earliest sculptural collaborations, also titled Pathway to the Sea – Aramoana. It features the glasses of wine they enjoyed together, the pāua shells and fluorescent tubes of the installation work, and questions about place and personal identity.
(Te Wheke, 2020)
Collection
Ralph Hotere, Bill Culbert Pathway to the Sea - Aramoana
In te reo Māori, Aramoana means ‘pathway to the sea’. It’s also a small settlement on the Otago Peninsula, near where Ralph Hotere had his studio – and where Hotere and fellow artist Bill Culbert protested against the building of an aluminium smelter, which they were concerned would degrade the harbour. The two were great friends, and Culbert would return to Aotearoa New Zealand most years from his home in Europe (usually during Bluff oyster season) to collaborate on large-scale sculptural works with Hotere. This suite of lithographs extends the ideas of one of Hotere and Culbert’s earliest sculptural collaborations, also titled Pathway to the Sea – Aramoana. It features the glasses of wine they enjoyed together, the pāua shells and fluorescent tubes of the installation work, and questions about place and personal identity.
(Te Wheke, 2020)
Collection
Bill Culbert, Ralph Hotere Pathway to the Sea - Aramoana
In te reo Māori, Aramoana means ‘pathway to the sea’. It’s also a small settlement on the Otago Peninsula, near where Ralph Hotere had his studio – and where Hotere and fellow artist Bill Culbert protested against the building of an aluminium smelter, which they were concerned would degrade the harbour. The two were great friends, and Culbert would return to Aotearoa New Zealand most years from his home in Europe (usually during Bluff oyster season) to collaborate on large-scale sculptural works with Hotere. This suite of lithographs extends the ideas of one of Hotere and Culbert’s earliest sculptural collaborations, also titled Pathway to the Sea – Aramoana. It features the glasses of wine they enjoyed together, the pāua shells and fluorescent tubes of the installation work, and questions about place and personal identity.
(Te Wheke, 2020)