Christchurch Art Gallery Te Puna o Waiwhetū
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    Notes Commentary Artist Profile Article Director's Foreword My Favourite Interview

    Director's Foreword

    Director's Foreword

    Peter Robinson
    Charcoal Drawing

    Commentary

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    My Favourite

    Gold, Chalk and Rabbit-Skin Glue
    Every frame carries its own history

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    Medium
    Bagatelle 3

    Bagatelle 3

    Riley, Bridget

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    Life Of Emily Bronte

    Life Of Emily Bronte

    Madill, Kathryn

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    Landscape With Figure And Trees

    Landscape With Figure And Trees

    Heseltine, John Postle

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    Monaxial (Grey)

    Monaxial (Grey)

    Williams, Mervyn

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    A Fruit Piece (In The Marble Parlour At Houghton)

    A Fruit Piece (In The Marble Parlour At Houghton)

    Boydell, Josiah

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    Ghost

    Ghost

    Kogachi, Claudia

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    Miss Ward-Smith

    Miss Ward-Smith

    Kelly, Elizabeth

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    The Ministrants

    The Ministrants

    Shannon, Charles Haslewood

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    Miss M. Mullan

    Miss M. Mullan

    Sutton, Bill

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    Margin of the Sandhills

    Margin of the Sandhills

    Walsh, Alfred Wilson

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    Drawing 5: XIX

    Drawing 5: XIX

    Sydow, Carl

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    Keri Keri Falls

    Keri Keri Falls

    Kinder, John

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    The Calf Pasture

    Coats, Alice Margaret

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    Lake Heron, 1912

    Lake Heron, 1912

    Moreton, Samuel Horatio

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    Beside The Road - Karamea

    Beside The Road - Karamea

    Palmer, Stanley

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    Kurd Bey Mosque

    Kurd Bey Mosque

    Tyndale, Walter

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    Old Woman Seated

    Old Woman Seated

    van der Velden, Petrus

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    Olivia Spencer Bower

    Olivia Spencer Bower

    Friedlander, Marti

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    Onekaka Estuary

    Onekaka Estuary

    Lusk, Doris

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    Miranda

    White, Elsie Maud

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    Head

    Clark, Russell

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    Last Quarter

    Last Quarter

    Wright, Gail

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    Diaspora XII, XIII, & XIV

    Diaspora XII, XIII, & XIV

    Tillers, Imants

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    After Nadar of Delacroix 1855

    After Nadar of Delacroix 1855

    Dawson, Margaret

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    View Of The Late Revd Charles Skelton’s Meeting House Adjacent To The Site Of The Globe Theatre, Maid Lane

    View Of The Late Revd Charles Skelton’s Meeting House Adjacent To The Site Of The Globe Theatre, Maid Lane

    Stow, James

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    Shannon and the Chesapeake

    Shannon and the Chesapeake

    Carmichael, John Wilson

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    Polder Landscape

    Polder Landscape

    van der Velden, Petrus

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    Suzette

    Suzette

    McIntyre, Raymond

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    Jim Buttress

    Jim Buttress

    Bensemann, Leo

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    On Becoming (Yellow no. 3)

    On Becoming (Yellow no. 3)

    Harris, Brent

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    Portrait of an unknown woman

    Portrait of an unknown woman

    Bensemann, Leo

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    Untitled

    Untitled

    Cleavin, Barry

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    Working the redd

    Working the redd

    Moffitt, Trevor

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    Whiteleaf

    Whiteleaf

    Unwin, Francis Sydney

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    Rothaariges Mädchen

    Dix, Otto

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    In a lonely place

    In a lonely place

    Neate, Robin

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    Old Mill

    Old Mill

    Beveridge, E.

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    Ponte De L’Abazia, Venice, 11 June 1974

    Ponte De L’Abazia, Venice, 11 June 1974

    Sutton, Bill

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    The Light of Omar

    The Light of Omar

    Gil, Janneth

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    Mount Aspiring, Head of Waiatoto Valley

    Mount Aspiring, Head of Waiatoto Valley

    Baker, W. G.

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    Portrait of a man

    Portrait of a man

    Woollaston, Toss

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    Lyttelton

    Lyttelton

    Norman, Edmund

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    Stuart Watson’s 1930s garden

    Stuart Watson’s 1930s garden

    Hanly, Gil

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    what was your face before your face in your mothers womb

    what was your face before your face in your mothers womb

    Gimblett, Max

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    Devotion - Praying Buddha - Jade Swirl Clay - Bliss Kiss

    Devotion - Praying Buddha - Jade Swirl Clay - Bliss Kiss

    Gimblett, Max

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    Kai raro kā ata i te manatārua, ā, kāore e āhei ana te tiki ake, te whakamahi rānei, atu i tā te Copyright Act 1994 e whakaae ana, mehemea kāore kia whakaaetia rawatia. Kai tēnei whāraki ētahi mōhiohio anō.


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